Writing studies' "recent enthusiasm" (Roderick "CF 25") for complexity theory has morphed into higher education's rabid embrace of reform. New curricula claim commitment to an "advanced," "networked," and "global" culture by erasing introductory composition, thereby dismissing the…

The College Writing/Elon Academy summer partnership at Elon University offers a program model for supporting underrepresented students' transition to college. While the modified section of a required first-year writing course has some limitations, the summer course supports students' development of more complex writing processes and provides…

English 1311: Expository English Composition is the first semester course in a two-semester first-year composition (FYC) sequence. Both ENG 1311 and its second-semester counterpart, ENG 1312, are required for all students unless they have transfer credit covering this requirement or place out of one or both of the courses via the College-Level…

The author has been tutoring and teaching writing for fifteen years, but has discovered that few people outside of academia know what it is that she does. Despite the rise in composition graduate programs and the improving market for composition specialists, even within the university, faculty from other disciplines frequently have vague notions…

Explores the quality of "voice" in writing, and how an individual's early experiences and heritage influence voice. Advocates using exploration of voice with students in freshman composition. Uses "In Praise of What Persists," a collection of essays, as models for the students and a source of writing assignments. (PA)

Argues that exploratory discourse, an old but little appreciated genre, may be particularly suited for revealing and enabling the kind of thinking in matters that do not lend themselves to absolute proof. Discusses exploratory writing assignments suitable for freshman composition courses. (RS)

Explores the use of the term "voice" in written discourse as a metaphor for "authority," a quality that distinguishes an effective writer. Proposes a "scale of negotiation" and a sequence of assignments for a 15-week term in which students gradually establish a position of authority over their texts. (RS)

Presents an exercise in descriptive writing that shows how to take a subjective statement and support or deny it using a common body of factual observations. (PA)

Students enrolled in composition classes may provide the answer to the dilemma of coming up with a writing topic: work--the "four letter word." Most, if not all, students have already become part of the labor force. The theme of "work" is naturally successful because it centers around a topic students know well, something that…

Describes an assignment that bridges the gap between research on disciplinary discourse and the curricular goals of a first-year composition course, which, in this case, was linked with a section of first-year history. (TB)

Assists students in recognizing rhetorical situations and in participating actively by instituting semester-long anonymous correspondences between unacquainted students in separate sections of freshman composition. Notes that students achieved greater sensitivity to rhetorical situations and an awakening of resistance. (MG)

In 1994, the situation of one writing teacher changed when she joined others at her institution to collaborate on the design and follow through of the Portfolio Composition Program for first-year writing students. Today, the collaboration continues as volunteer full-time faculty, graduate teaching assistants, and other part-time teachers try out…

Describes writing assignments based on several readings on the ethical quagmire of pornography. Suggests that exploratory writing grounded in the texture of students' lives is an antidote to abstract, theoretical pronouncements. Urges returning to an ethics developed in a community of writers who begin with values already given but who form an…

When teachers work to create empathy that transfers or translates the experience of the other into an experience an individual has had, they promote a kind of egotism that dismisses the other or that reduces the other to the category of the self. The key problem with empathy of this sort is that the focus is not on the other, but on the self. The…

Discusses problems with freshman research paper assignments. Describes how one teacher has adapted cooperative learning techniques to research assignments, allowing students to work together in "base" and "expert" groups. Describes four structured writing assignments on a single subject of general public interest that lends itself to specialized…