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Gholson, Sylvia A. – Journal of Research in Music Education, 1998
Attempts to identify and characterize patterns of expert teaching practice as they occur in context, and to confirm these patterns through processes of verification. Observes teacher Dorothy DeLay in her studio, documenting her teaching through notes, audiotapes, and contextual artifacts. Discusses DeLay's theory of proximal positioning in…
Descriptors: Field Studies, Higher Education, Instrumentation and Orchestration, Master Teachers

Sheldon, Deborah A. – Journal of Research in Music Education, 1998
Examines the effects of contextual sight-singing and ear training on pitch and rhythm error detection abilities among undergraduate instrumental music education majors. Shows that additional training produced better error detection, particularly with rhythm errors and in one-part examples. Maintains that differences attributable to texture were…
Descriptors: Error Correction, Higher Education, Instrumentation and Orchestration, Listening Skills
Boonshaft, Peter Loel – Teaching Music, 1996
Recommends commissioning new works as a challenging and motivating learning experience for high school and college bands. Includes several guidelines for negotiating costs and performance rights with the composer, as well as other technical details. Discusses specific problems arising from this arrangement and possible solutions. (MJP)
Descriptors: Bands (Music), Cultural Enrichment, Higher Education, Instructional Innovation

Kantorski, Vincent J. – Journal of Research in Music Education, 1995
Analyzes the contents of doctoral research between 1936 and 1992 related to stringed instrument education. Examines "Dissertation Abstracts International" for year of completion, type of degree, instrument, and main topic. The most researched instrument was the violin and main topics included techniques and skills, performance practice, and…
Descriptors: Content Analysis, Doctoral Degrees, Doctoral Dissertations, Doctoral Programs

Byo, James L. – Journal of Research in Music Education, 1997
Examines graduate and undergraduate music majors' ability to detect pitch and rhythm errors in various settings of textually contrasting musical excerpts. Students listened to intentionally marred excerpts and attempted to identify the errors. Analysis of variance revealed that the predictor variables did not function independently of each other.…
Descriptors: Auditory Discrimination, Auditory Perception, Auditory Stimuli, Auditory Tests