Shows that getting involved with a story is the primary dimension of story appreciation, and that different readers interact with the same story in different ways. Indicates that the first-person grammatical device invites readers to identify with the main character, but whether or not they do is a complex function of story properties,…

Two experiments employed story telling to investigate whether production is adapted to comprehension. Subjects were more likely to specify instruments from stories if the instruments were atypical or important to the story. A mathematical model proposed that instrument concepts may be selected at three stages in the production process. (Author/LMO)

In a study of the processes used to compose a story, 12 Portuguese/English bilingual adults created narrations for 2 published, wordless picture stories and, while viewing a videotape of their narration, recalled aloud the processes they used in constructing the stories. One study was narrated in Portuguese and the other in English. The narrations…

This collection of abstracts is part of a continuing series providing information on recent doctoral dissertations. The 32 titles deal with a variety of topics, including the following: (1) textual relations within the written and spoken modes; (2) the construction of stance in conflict narrative; (3) the relational base theory of phrase…