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Canham, Nicole – Research Studies in Music Education, 2023
One of the many lessons of the COVID-19 pandemic has been the nature of it: it has been, and still is, an evolving situation in which there are many questions, but not always immediate or easy answers. Some of the pandemic experience has been shared, as almost 1.6 billion learners' educations have been disrupted and teachers have reported…
Descriptors: Music Education, COVID-19, Pandemics, Music
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Demirci, Sirin Akbulut; Nergiz, Eda – African Educational Research Journal, 2020
The curriculum used in amateur and professional piano education is shaped according to the physical and mental state of the students. Easy access to piano literature that can be used in case of one hand and/or one arm disability is important in terms of contributing to the students and piano instructors. For this reason, it is aimed to determine…
Descriptors: Music Education, Musical Instruments, Teaching Methods, Foreign Countries
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Jennings, Kyesha; Petchauer, Emery – Changing English: Studies in Culture and Education, 2017
Leveraging the aesthetic turn in hip-hop scholarship, this article examines how some of the goal-directed and compositional techniques of DJs can be used to redesign and remix African American literature courses. Specifically, we focus on drops and blends, two moves evident among DJs and turntablists in hip-hop culture. Anchoring our analysis to…
Descriptors: African American Literature, Music, Musicians, Aesthetics
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Barratt, Elisabeth; Moore, Hilary – British Journal of Music Education, 2005
This article presents the results of research into methods and scorings for jazz assessment in Trinity College of Music, London, focusing on the possibility of introducing group assessment. It considers the advantages of group assessment methods, contrasting these with the more traditional approach, firmly established in conservatoires, of…
Descriptors: Foreign Countries, Music Education, College Students, Musicians
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Grant, Joe W.; Kohut, Daniel L. – Music Educators Journal, 1992
Addresses the training necessary for students who will be teaching music performance in high schools. Discusses the challenges presented by increasing cultural diversity in the classroom and its influence on what music will be taught. Suggests that the expanded curriculum necessarily will be the responsibility of the performance teachers. (DK)
Descriptors: Cultural Differences, Curriculum Development, Higher Education, Improvisation
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Freeman, Robert – Arts Education Policy Review, 1996
Asserts the necessity of developing a U.S. audience educated to appreciate classical music. Discusses a number of innovative programs across the country designed to increase audience participation and appreciation. Proposes implementing outreach and education courses in professional music schools. (MJP)
Descriptors: Audience Analysis, Audience Response, Audiences, Bands (Music)
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McCarthy, Marie – Journal of Research in Music Education, 1995
Profiles music scholar Charles L. Seeger and his contribution to U.S. musical life. Seeger played a significant role in introducing vernacular music to schools, extending the definition of U.S. music in the curriculum, presenting music as a cultural subject, and promoting musical diversity in the classroom. (MJP)
Descriptors: Cultural Background, Curriculum Development, Educational Development, Educational History