June Boyce-Tillman and Keith Swanwick's article on musical development is the second most widely cited paper in the history of the "British Journal of Music Education." It appears in many discussions of musical development. A selection of the diverse domains where the paper is cited includes: instrumental teaching, Special Education…

This article reports on a pilot project exploring the viability of a teaching-through-playing approach in chamber music instruction in higher music education. Literature suggests that teaching traditions such as the one-to-one setting need renewal, and socio-cultural theories of learning propose that collaboration and participation are a way…

Research claims that entrepreneurial skills and knowledge are important for the careers of musicians (Bennett, 2016; Breivik, Selvik, Bakke, Welde & Jermstad, 2015; Coulson, 2012). Alumni of higher music education (HME) report "a gap between the perceived importance of such [entrepreneurial] skills and their acquisition" (Miller,…

The aim of the International Society for Technology, Education, and Science (iHSES) conference is to offer opportunities to share ideas, discuss theoretical and practical issues, and connect with the leaders in the fields of "humanities," "education" and "social sciences." It is organized for: (1) faculty members in…

Aspects of dance training can be helpful in improving performance skills on the piano. These include correct posture, breathing, and a physical sense of self. Learning to move to music, whether through formal training or on one's own, can help relaxation, concentration, and endurance. (CS)

Reports on a study designed to investigate loudness judgments of 30 musician and 30 nonmusician listeners in response to performed dynamic changes within a musical context. Finds that musician subjects indicated a significantly smaller magnitude of dynamic change than did nonmusician subjects. (CFR)

Explores the interaction among self-regulatory (cognitive strategy use, self-regulation) and motivational (intrinsic value, anxiety/confidence) components of learning with the quantity/content of a musician's instrumental practice. The sample consisted of 190 pianists. Indicates that the level of cognitive engagement during practice may provide…

Compares patterns of rubato usage in four performances of an excerpt from the Mozart Concerto Number 2 in Eb Major for Horn and Orchestra with assessments of musicianship. Indicates that: (1) rhythm is an important aspect of musicianship; and (2) the largest positive assessment change occurred simultaneously with the use of rubato. (CMK)

Investigates how different practice techniques (physical, mental, and alternating physical/mental) and aural knowledge of results improve the piano performance of 40 graduate and undergraduate music students. Reveals all three practice modes, especially physical practice, improved performance, whereas aural knowledge of results had little effect.…

Analyzes independent videotape observation, investigating whether beginning student conductors could demonstrate high and low gestural intensity. Reports that 320 subjects had a 77 percent correct response rate to conductor gestures. Suggests intensity is recognizable across multiple illustrations and diverse music experience levels. (CH)