Students do not need to be told that they are socially constituted so much as they need to experience, in concrete terms, what that means. In an era of identity politics, they need to experience the labels they choose (or the labels chosen for them) as no less problematic than they are inevitable. A means to this end is a classroom heuristic tried…

Uses a single language system--technical description--to illustrate how language systems can now be used as the basis for instruction in technical writing. Provides sample exercises in progressive teaching from simple description to complex continuity devices, showing how they can be used at all stages of the writing process. (HTH)

Argues that journal writing expands students' discoveries about themselves as writers, and extends their abilities to take charge of writing assignments in both English and non-English courses. (MS)

Proposes as a follow-up to an article on controlled composition for basic writers a necessary bridge between strict copying and independent composing. (HTH)

Presents a writing exercise which involves students in their own and their peers' writing. Claims validity in that it personifies one of the most persistent blocks to expression--the inner critic which causes the writer to reject too soon and discriminate too severely. (RAE)

Proposes combining peer-response exercises from Peter Elbow and Pat Belanoff's book "Sharing and Responding" with the series of written peer critiques in Kenneth Bruffee's "A Short Course in Writing." Argues that these types of peer criticism work best in tandem in the collaborative classroom, capturing the struggle between individual expression…

Describes how a "strip story" activity (reassembling a text from strips of paper containing the text's sentences) develops reciprocity, the interaction between reading and writing as the reader negotiates a text and the writer assists the process. (MM)

Advocates using the case approach in college writing classes. Suggests that asking students to play the roles of participants in a situation, whether real or imaginary, helps them learn to address a particular audience with a clear purpose. Offers a case approach with discussion questions and possible assignments. (RL)

The "Silent Interview" provides an effective ice-breaking exercise for the first day of composition class and also triggers learning strategies toward writing effectively. At the first class meeting, students are asked to work in pairs, exchanging questions and responses in writing until six or eight questions have been asked and…

Suggests a set of sequenced writing assignments based on language use. Argues that language study involves learning how to observe as much as observing something particular. (MS)

Presents a criticism of Evan Carton's description of a writing assignment, noting the contradiction between the assignment's real purpose and the rigid writing restrictions inherent in the assignment that preclude the purpose. Presents Carton's response. (HTH)

Focusing on satisfying the theatrical feature film audience, this book provides writers with the tools necessary to successfully create and market a screenplay. It includes "scribble exercises" every few pages--specific activities and questions to stir readers' reactions. Chapters in the book are: (1) Drama Is Conflict; (2) Satisfying…

Recommends ways teachers can help students write better research papers. (JL)

Describes a teaching unit designed to help students discover the interaction of writer, subject, and audience. Reviews the major types of writing used in the unit and the various audiences for whom the students wrote. (FL)

Writing exercises are games that can lead to success in the classroom because they are artificial and have arbitrary rules defined by the instructor. By giving students a starting point, a limited task, and the assurance that the writing is, after all, "just a game," exercises can circumvent students' initial anxieties about self-presentation and…