I propose that we think about what a paragraph is by considering its "function," what it does in a piece of writing, whether in a popular novel, a newspaper article, an e-mail, a business report, or a lofty piece of literary criticism. We might think about a paragraph as a "rhetorical dwelling."

Shares 12 steps to using found poetry as an introduction to a unit on poetic composition. (MG)

Grammar is the public aspect of language, the rules that make for "correctness." It comprises the linguistic rules that must be mastered if the general interest is to be served. As such, the rules of grammar have to be clear-cut in their application and definable in objective terms. (MLW)

Shows how students improve their powers in writing nonfiction when they are asked to solve writing problems similar to those facing major novelists. Advocates teaching literature by teaching writing, and vice versa. (RL)

Includes: (1) "A Comment on 'Lacan, Transferences, and Writing Instruction'," Janet Hiller and Barbara Osburg; (2) "Robert Brooke Responds"; (3) "A Comment on 'Writing (with) Cixous'," Debra Raschke; and (4) "Clara Juncker Responds." (RAE)

College students wrote summaries of short passages to assess their ability to identify important information. Naive summaries judged as "better" contained more major semantic roles, such as agent, than did summaries judged "not as good". Students wrote better summaries when instructed to use major semantic roles within the passage. (Author/RD)

Good writing is seen as good thinking--thinking carefully, not just grasping for the opinion nearest at hand, and clearly. Its primary purpose is to communicate with the reader. Good writing can be learned--to think honestly, to say things clearly, to avoid pomposity, and to consider the reader. (MLW)

Grace and style are elements of composition rarely demanded by teachers or developed by students. Since both terms are elusive to define and because asking students to make attempts at grace and style can have unappealing results, perhaps vigor is a better element to encourage students to pursue. Vigor does not outlaw graceful flourishes and…

Argues that instructors might have more success in teaching analysis and exposition--public forms of writing--if the autobiographical writing of undergraduates were viewed primarily as a private way to find ideas, not always as material itself to be shaped into public autobiographical prose. (MS)

Use of microcomputers to teach basic prose writing to university students was investigated. The CAI program presented information, responded to answers, and evaluated input. Subjects were 50 University of Victoria freshmen. Few significant differences occured between experimental and control groups. CAI can apparently be used effectively to…

The experience of a writing teacher who taught fourth and fifth graders how to take notes, describe what they observed, interview, write quickly, amd edit their own work are presented. Searching for ideas, gathering and sifting, finding a focus, rethinking and correcting, and reaching an audience are discussed. (MLW)

This collection of abstracts is part of a continuing series providing information on recent doctoral dissertations. The 16 titles deal with a variety of topics, including the following: (1) a study of the meanings of experience of ten published feminist women writers; (2) the composing activities of computer literate writers; (3) the informational…