The development of group creativity can be challenging for both young students and their teachers. This study examined the processes and learning outcomes of group creativity training from the perspectives of elementary school students and teachers while identifying critical factors that contributed to the success of the training. Data were…

The aim of the study was to examine how drama fosters children's everyday creativity, its relationship with creative pedagogy, and what teachers can provide for children's development in creativity in an Asian context. A series of drama lessons were designed and taught to two six-grade (11-12 years old) classes by involving pedagogical strategies…

Some thoughts on the problems of supporting creative and imaginative growth in children and adults at school. Two incidents illustrate the discussion. (ED)

The intent of this article is to describe the basic processes used by the child in order to create and imagine; to explain the significance of objects for encouraging creativity, imagination, and intellectual growth; and to show how creative thinking is nurtured using the world of objects. Five reasons are advanced to support the claim that the…

Nine steps are presented which a teacher should consider in order to elicit and develop creativity in students. An analogy is drawn wherein the teacher is a gardener, planting and caring for seeds of creativity. (KC)

This guide was designed to expand teachers' vision of symbolic play and to assist teachers in providing an appropriate play environment. The guide maintains that teachers of young children should consider symbolic play an essential element in the total learning environment. It presents ways for teachers to: (1) set up physical areas; (2) acquire…

Following the establishment of working definitions of "creativity" and "English," Chapter 1 of this state-of-the-art paper surveys research into the nature of creativity, points out the need to establish criteria for creativity, and discusses the relation of creativity to English. Chapter 2 considers the classroom and the teacher as elements of a…

The traditional role for teachers in children's play was to structure it, setting rules and interrupting if things got "out of hand." However, for children ages 3 to 5, sociodramatic play is a way to invent and make familiar the rhythms and actions of everyday life. This book describes why play is a fundamentally important part of…

The two complementary questions--"What does literature do to young readers?" and "Can literature be taught?"--are not easily answered. Youth should not employ literature as an exclusive guide to life since they will encounter numerous unrealistic situations. Instead, literature should entice them to deal vicariously with vivid, new experiences and…