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Wosk, Julie H. – Art Education, 1982
Describes a college course which introduces engineering and business students to abstract art. Students study the relationships between abstract styles in painting and abstract styles in twentieth-century architecture and industrial design. The relevance of abstract design principles is shown by referring students to "Car and Driver"…
Descriptors: Architecture, Art Appreciation, Art Education, Business Education

Kelmenson, Lita – Art Education, 1985
High school students enrolled in a Spanish language class heightened their awareness of the Mexican people by studying and discussing Mexican crafts. Working in the style used by the Mexicans, they designed and made their own art products. (RM)
Descriptors: Art Activities, Art Education, Course Descriptions, Cultural Awareness

Rosenberg, Howard – Art Education, 1979
A narrative description is given of a 14-week interdisciplinary (art and education) course offered by the University of Nevada, Reno. The course utilized commercial films and dealt with the Black, Asian, Chicano, and Native American experience. Films used, student comments, and the students' film evaluation form are included. (SJL)
Descriptors: Course Descriptions, Ethnic Studies, Film Study, Films

Chalmers, Graeme; And Others – Art Education, 1984
Art can make a contribution toward erasing ethnic stereotypes and cultural misunderstandings. Two multicultural art programs operating in British Columbia elementary schools are described. (RM)
Descriptors: Art Education, Comparative Education, Course Descriptions, Cultural Pluralism

Lacey, Thomas; Agar, Julie – Art Education, 1980
This article describes a University of Pittsburgh course for preservice teachers entitled, "Using the Museum as a Resource." The goal of this interdisciplinary offering is to emphasize the use of museum resources as a base for curriculum development. (Author/SJL)
Descriptors: Art Education, Art Teachers, Course Descriptions, Curriculum Development

Calabrese, John A. – Art Education, 1993
Describes a college level art history course based on the opposing concepts of Classicism and Romanticism. Contends that all creative work, such as film or architecture, can be categorized according to this bipolar model. Includes suggestions for objects to study and recommends this approach for art education at all education levels. (CFR)
Descriptors: Architecture, Art Education, Art History, Course Content