Aesthetic education should be the strongest countervailing force against the superficiality of so much of people's experience. (Author)

Discusses laboratory-centered methods courses, the improvement of the teaching-learning situation, and the expansion of student teacher experience. (Author/RK)

Considers music's role in the arts-in-general-education movement. Also identifies misconceptions that specialists often have about their involvement and cites evidence that arts-in-general-education programs actually strengthen existing music curriculums. (Editor/RK)

Suggests greater emphasis on middle school music education, both as part of general education and of the curriculum's exploratory component. Argues that music can add emotion to social studies and promote learning in all subject areas through rhythm, rhyme, and repetition. Calls for student opportunities to explore instruments and composition. (SG)

Presents a draft of the National Standards for Arts Education that is part of the America 2000 program. States that the standards are intended to specify what every child should know and be able to do in the arts. Asserts that music and aesthetic education must be an integral part of the K-12 curriculum. (CFR)

Describes the project called "U2U," a collaboration among the University of Minnesota School of Music, The University of Minnesota dance department, and two urban public school districts in Minneapolis-St. Paul (Minnesota). Presents strategies for collaboratively developing an interdisciplinary curriculum around William Walton's "Facade." Includes…

Maintains that efforts to link the arts for educational purposes have been made since the 1960s. Proposes three approaches to link visual art, dance, music and other aesthetic endeavors into one course. Concludes that, although integrating the arts is more work, the motivation for doing so rests on improved student learning. (CFR)

Maintains that children's literature is a treasure waiting to be discovered by music educators. Describes how children's literature can enhance student motivation, creativity, and foster multicultural education. Includes a list of 40 trade books that can be used as resources for music education. (CFR)

Asserts that music can maintain its own integrity as a discipline and still be part of a holistic educational experience for children. Describes how performance "showcases" or interdisciplinary student group presentations highlight student learning and enhance motivation. Discusses positive results and barriers to full implementation of…

Describes a school districtwide program in which secondary students produced operas as part of the regular and extracurricular curricula. Details events dating from 1985 illustrating the growth and development of the program. Contends that the program was an intellectually rewarding experience and an excellent public relations activity for the…

Argues that history must be included in the study of music to understand the context of the composer's era. Maintains that historical performance information, music technology, the place of music in society, music literature, and performing practices also should be included. Provides four charts of recommended resources. (CFR)

Asserts that integrating music with core curriculum subjects can improve student achievement in production, perception, and reflection in general music classes. Describes the Arts PROPEL approach, based on the philosophy that students learn best when they are active constructors of their own knowledge. (CFR)

A comprehensive arts in education program is made up of four segments: specialized arts instruction, arts in general education, community arts resources, and arts for special populations. Each of these segments is discussed. A selective bibliography to help fine arts educators involved in curriculum development is provided. (RM)

Asserts that music educators have special challenges and opportunities when considering an integrated or interdisciplinary curriculum. Discusses examples of interdisciplinary teams comprised of fine arts teachers working with teachers of social studies, literature, and other subjects. Includes illustrations of a thematic curriculum web and…

Examines specific approaches and strategies for teaching discipline-based music education (DBME). DBME incorporates history, aesthetics, and criticism into traditional music education. Discusses creating a DBME unit, what questions to ask, and what resources to use. Includes a sample approach. (MJP)