Compares patterns of rubato usage in four performances of an excerpt from the Mozart Concerto Number 2 in Eb Major for Horn and Orchestra with assessments of musicianship. Indicates that: (1) rhythm is an important aspect of musicianship; and (2) the largest positive assessment change occurred simultaneously with the use of rubato. (CMK)

Proposes a general model of communication that takes place during a musical performance and particularly focuses on the performer-listener communication path within this model. Explores whether the medium is the message, defines the medium and message as separate entities, and demonstrates the applicability of this notion within the realm of…

Investigates how the process of knowledge formation in teaching and learning can be identified through teachers' definitions, decisions about assessments, and what criteria they use in an assessment situation. Reveals three dominant bipolar constructs among instrumental skills, expressive modes, creativity, and interpretative modes and two further…

Examines the differences in methodology, content, and conclusions among various approaches to music education historical research. Argues that the preeminent role of interpretation in historical research mandates a broad assortment of methodologies including qualitative research. Includes excerpts from four different histories describing a seminal…