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Download full textMaleska, Kalina – Advances in Language and Literary Studies, 2015
This essay explores the theme of the double in Umberto Eco's "The Island of the Day Before," Joseph Conrad's "The Secret Sharer" and Zivko Chingo's "The Big Water." While traditionally the double is connected with the evil alter-ego of the protagonist, what brings these three works together (by an Italian, English and…
Descriptors: Novels, Literary Genres, Literary Devices, Twentieth Century Literature
Longman, Stanley V. – 1974
The Theatre of the Grotesque, a dramatic movement in Italy from 1916 until 1930, grew directly out of Pirandello's concept of "umorismo," the painful laugh accompanying the tragic sense of bewilderment at the incongruities and cruelties of life. Growing first of all from a reaction against positivism and its theatrical counterpart,…
Descriptors: Drama, Imagery, Italian Literature, Symbolism
Peer reviewedMezzacappa, Carmine Anthony – Italica, 1970
Descriptors: Formal Criticism, Imagery, Italian Literature, Lyric Poetry
Peer reviewedPullini, Giorgio – Italica, 1969
Descriptors: Comedy, Drama, Dramatics, Italian Literature
Peer reviewedKibler, Louis – Italica, 1972
Descriptors: Analytical Criticism, Expressive Language, Imagery, Italian Literature
Peer reviewedSchneider, Franz K. – Italica, 1972
Descriptors: Characterization, Formal Criticism, Imagery, Italian Literature
Peer reviewedBonadeo, Alfredo – Italica, 1969
Descriptors: Analytical Criticism, Characterization, Italian Literature, Novels
Peer reviewedSchneider, Marilyn – Italica, 1969
Descriptors: Allegory, Characterization, Italian Literature, Moral Criticism
Peer reviewedAlfonsi, Ferdinando P. – Italica, 1972
Descriptors: Analytical Criticism, Italian Literature, Motifs, Novels
Peer reviewedTreitel, Renata Minerbi – Italica, 1971
Descriptors: Characterization, Italian Literature, Mythic Criticism, Novels
Peer reviewedSingh, G. – Italica, 1970
Descriptors: Imagery, Italian Literature, Lyric Poetry, Metaphors
Peer reviewedWebster, Michael – Visible Language, 1989
Explores how oral and print characteristics mesh or clash in "words-in-freedom," a form of visual poetry invented by Filippo Tommaso Marinetti. Analyzes Marinetti's poster-poem "Apres la Marne, Joffre visita le front en auto," highlighting the different natures of the two media and the coding difficulties occasioned by…
Descriptors: French Literature, Italian Literature, Literary Criticism, Oral Interpretation
Peer reviewedRebay, Luciano – Italica, 1969
Descriptors: Formal Criticism, Italian Literature, Letters (Correspondence), Poetry
Peer reviewedCherubini, Jon C., Comp. – Italica, 1973
Part of a continuing series. (DD)
Descriptors: Authors, Bibliographies, Italian Literature, Language Instruction
Litvak de Perez de la Dehesa, Lil – Revue des Langues Vivantes, 1972
Suggests that a lecture on Futurism delivered in Catalan at the Ateneo in Barcelona on June 18, 1904, by Gabriel Alomar probably was the greatest influence on F. T. Marinetti and Italian Futurism. (DS)
Descriptors: Authors, German Literature, Historical Criticism, Italian Literature
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