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Weber, Rebecca; Reed, Sara – Journal of Dance Education, 2022
This article presents a study on three somatic movement dance educators' perspectives on developing creativity in dance students. A post-positivist, inductive qualitative study was undertaken to gather practitioners Katye Coe's, Sara Reed's, and Rebecca Weber's phenomenological reflections on teaching somatically informed dance and how somatic…
Descriptors: Dance Education, Creativity, Phenomenology, Creative Development
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Tatum A. Schwartz; Amy Dellinger Page – Journal of Dance Education, 2024
Little is known about how individuals with histories of sexual trauma experience dance in non-clinical settings. Dance educators outside of the clinical sphere, such as in dance studios and higher education dance programs, may lack knowledge surrounding how the experience(s) of sexual trauma can alter one's movement and involvement in the dance…
Descriptors: Dance, Trauma, Sexual Abuse, Kinesthetic Perception
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Berg, Tanya – Journal of Dance Education, 2017
This case study explores one teacher's integration of Alexander Technique and the work of neuromuscular retrainer Irene Dowd in ballet pedagogy to establish a somatic approach to teaching, learning, and performing ballet technique. This case study highlights the teacher's unique teaching method called IMAGE TECH for dancers (ITD) and offers…
Descriptors: Dance Education, Teaching Methods, Case Studies, Ethnography
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Kattner, Elizabeth – Journal of Dance Education, 2016
This paper explores methods for bringing dance history directly into the studio. It shows how the movement components that have proven successful in introductory courses can be extended to in-depth studies of dance history with dancers who have formal training. Through the example of a research project on the early work of George Balanchine, it…
Descriptors: Dance, Dance Education, History Instruction, College Students
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Siegenfeld, Billy – Journal of Dance Education, 2009
"Standing down straight" means to stand on two feet with both stability and relaxation. Using standing down straight as the foundation of class work, Jump Rhythm Technique offers a fresh alternative to conventional systems of dance study. It bases its pedagogy on three behaviors: grounding the body so that it can move with power and efficiency,…
Descriptors: Dance, Dance Education, Music, African Americans
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Brodie, Julie A.; Lobel, Elin E. – Journal of Dance Education, 2008
This article explores the importance of vision in dance from both the teacher's and the learner's perspectives. Since vision does not function in isolation, the interplay between sight and other modes of learning movement-based material is considered as well. Movement activities are provided to assist with understanding this information…
Descriptors: Dance Education, Vision, Motion, Learning Modalities
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Nettl-Fiol, Rebecca – Journal of Dance Education, 2006
Integrating principles from the Alexander Technique into a dance technique class can provide tools for facilitating a more coordinated use of the self. While the methodologies of Alexander Technique and dance technique may present differences, there are ways of applying the principles of Alexander within the context of a dance technique class that…
Descriptors: Dance, Dance Education, Teaching Methods, Integrated Activities