Two studies investigated the effects of prosody and pragmatic context on off-line and on-line processing of sentences like "John greeted Paul yesterday and Ben today". Such sentences are ambiguous between the so-called "nongapping" reading, where "John greeted Ben", and the highly unpreferred "gapping" reading, where "Ben greeted Paul". In the…

Direct quotation can be a source of meaning in storybook texts for beginning readers. The author of this article sketches the linguistic complexity of direct quotation and offers instructional strategies. Three aspects of direct quotation are examined: the cluster of print features and syntactic characteristics that direct quotation involves, the…

It is proposed that speech rhythm, adapted to needs of written language, should constitute the basis of sound punctuation. It is the failure to recognize this principle that has led some writers to recommend a punctuation system that is mechanical rather than natural and meaningful. (CHK)

Argues that intonation is best analyzed as an overt marking of the focus structure of a sentence. The linguistic level of f-structure in which both topic and focus are identified provides the link between context, interpretation, syntax, and intonation. (Author/VWL)

Inverted sentence order (order other than subject-verb-object) may be used to mimic the rhythm of real dialogue; give the play-by-play announcer time to come up with the player's name; indicate the relative importance of the subject, verb, and object; distribute information; and indicate connection with prior information. As a stylistic option,…

Discusses the accentuation of two types of sentence in English: (1) straightforward intransitive sentences, and (2) intransitive sentences embedded in the frame "It's just NP noun phrase[ V verb[-ing." Modifications to Gussenhoven's (1983) Sentence Accent Assignment Rule (SAAR) are suggested based on large groups of exceptions of the SAAR.…

It is frequently observed that modern English has a fixed word order. Therefore, the English speaker is locked inside a syntactic system which leaves him few expressional options. The author disagrees and suggests that because of options of word order, the English speaker can impose his own level of meaning on his utterances. (Author/RR)

Claims that in metrical prose, rhythm can convey sense or express and underline what a writer is saying, and sound can be exploited to add a strong aural element that provides pleasure to the ears over and above the pleasure given by the sense of story. (SRT)

Discusses secondary stress in various types of words (e.g., in certain parts of speech, with certain spelling patterns, etc.) and in various kinds of sentences and communicative situations. (KM)

An experiment was conducted to determine whether the deep structure or the surface structure clause is more important as a speech planning unit, and whether syntactic decisions are made during sentence production. Results were discussed in relation to previous studies of pausing and speech disruption. (Author/CTM)

The analysis of syllable and pause durations in speech production can provide information about the properties of a speaker's grammatical code. Seven experiments analyzed syllable and pause durations in structurally ambiguous sentences. Results showed that a single hierarchial principle provided a unified account of speech timing effects for…

The language of sportscasting is analyzed in terms of register variation, first by locating the register by successive approximations to a characterization of occasions of use, then by identifying syntactic characteristics: simplification, inversions, heavy modifiers, result expressions, and routines. Sports announcer talk is described as a…