During a classroom-based study that featured wordless and almost wordless picturebooks, instruction and adult mediation communicated to Kindergarten children that elements of visual art, design, and layout are fundamental to meaning-making when transacting with this format of literature. The illustration techniques described by Ray (2010) were used as an analytical lens to analyze the transcripts from the small group interactive sessions of an almost wordless picturebook featured during the research. The descriptive analyses of the transcripts reveal the rich viewing and talking opportunities that can be afforded during children's transactions with almost wordless picturebooks when these selections of literature are situated as aesthetic objects, and when children and adult mediators understand and appreciate how meaning is individually and synergistically represented by elements of visual art, design and layout. The findings are discussed in relation to the literature reviewed, and the theoretical frameworks of social semiotics and sociocultural theory.