This report is a summary of two studies. In the first, we compared examples of Irish fiddle performances with Western classical violin performances. Acoustical analyses showed that both classical examples produced average spectral centroids higher in frequency, higher harmonic to noise ratios, more use of vibrato, more disjunct intervals, and less…

The purpose of this study was to explore music listening and performance characteristics of middle and high school students. The questions under investigation addressed reasons for liking a favorite piece, time spent listening, media used to listen, ways in which students discovered new music, and the types of music performed as well as the types…

The purpose of this study was to investigate the effect of wearing earplugs on classical musicians' pitch perception across three experimental conditions: no earplugs, foam earplugs, and Etymotic earplugs. Participants were graduate and undergraduate music majors attending a large school of music in the southeastern United States (N = 72).…

This investigation replicates previous research into K-12 students' responses to mid-20th-century art music. The study extends that research to include undergraduates and graduates as well as an additional group of graduate students who had taken a 20th-century music class. Children's responses showed remarkable consistency and indicated that…

This study was designed to ascertain musicians' tempo and pitch level preferences when listening to orchestral music. Ninety graduate and undergraduate music major students were assigned randomly to one of three groups. Participants listened individually to recorded symphonic excerpts, 5 with relatively fast and 5 with relatively slow tempos.…

A continuing line of research indicates that focus of attention is perhaps the most important attribute of actively participating in meaningful music listening and a model accounting for these findings has been developed. Music teachers are especially concerned with meaningful listening when having students discern important elements or attributes…

Investigates focus of attention of musical elements to ascertain which elements are perceived as the most salient in relationship to Haydn's Symphony #104. Indicates that the subjects did not focus on any particular element while listening to this piece. Asserts that the key to music listening is staying on task. (CMK)

Regardless of the extremely subtle acoustic changes that are perceptible within almost all perception research studies, it is the total overall effect that generally occupies each individual listener. A long line of research indicates that many subtle "music changes" are often not perceived accurately and are actually mistakenly identified.…

Investigates patterns of music listening among music majors regarding accompanied and unaccompanied excerpts varying in tone quality and intonation. Tests the reliability of the Continuous Response Digital Interface, contrasting the measurements obtained to those from a paper and pencil measure. Discusses the results. (CMK)

Investigates the effects of audiovisual media on preschool children's attitudes toward music presentations from "The Lion King" and "Fantasia." Finds that the listening times for music-plus-video presentations of both selections were longer and a majority of the children expressed a preference for "The Lion King" over "Fantasia." (CMK)