This investigation replicates previous research into K-12 students' responses to mid-20th-century art music. The study extends that research to include undergraduates and graduates as well as an additional group of graduate students who had taken a 20th-century music class. Children's responses showed remarkable consistency and indicated that…

One challenge for music educators is to find techniques to help students "listen across time" to the examples they are assigned to study and to stay focused on a piece as they listen. Measurement tools to assess music listening have a long history, ranging from very simple to very complex, and very dated to very recent. This article traces the…

A continuing line of research indicates that focus of attention is perhaps the most important attribute of actively participating in meaningful music listening and a model accounting for these findings has been developed. Music teachers are especially concerned with meaningful listening when having students discern important elements or attributes…

Investigates focus of attention of musical elements to ascertain which elements are perceived as the most salient in relationship to Haydn's Symphony #104. Indicates that the subjects did not focus on any particular element while listening to this piece. Asserts that the key to music listening is staying on task. (CMK)

Regardless of the extremely subtle acoustic changes that are perceptible within almost all perception research studies, it is the total overall effect that generally occupies each individual listener. A long line of research indicates that many subtle "music changes" are often not perceived accurately and are actually mistakenly identified.…

The objectives of the study were to determine (1) whether contingent music listening would significantly increase correct responses to mathematical problems compared to other activities and reinforcers, and (2) whether there are significant differences between the reinforcing effects of two types of music listening activities. (Author)

Investigates patterns of music listening among music majors regarding accompanied and unaccompanied excerpts varying in tone quality and intonation. Tests the reliability of the Continuous Response Digital Interface, contrasting the measurements obtained to those from a paper and pencil measure. Discusses the results. (CMK)

Presents the results of a study where musicians listened to 20 minutes of Puccini's, "La Boheme," and indicated which of the five musical elements (melody, rhythm, timbre, dynamics, or everything) commanded their attention. Two groups responded using differing instructions for the Continuous Response Digital Interface. Analyzes the different…