Determines what effect tonal-durational manipulations have on listeners' response to three specific categorical decision-types: (1) patterns are the same; (2) pattern K is a derivation of P; and (3) pattern K is distinctly different from P. Finds that item-pair 1 was identified as "same" whereas item-pairs 18-20 were identified as "distinctly…

Investigates focus of attention of musical elements to ascertain which elements are perceived as the most salient in relationship to Haydn's Symphony #104. Indicates that the subjects did not focus on any particular element while listening to this piece. Asserts that the key to music listening is staying on task. (CMK)

Investigates the role of stimulus repetition during on line aural identification of harmonic sequences by 72 adult beginners. Demonstrates that the first presentation is a powerful image influencing subsequent identifications. Clarifies the role of repetition and provides an explanation of the incidence of repetition in omitted and incorrect…

Investigates how accurately children, ages 6-9 from England, Japan, Korea, Spain, and the United States, could match eight animal drawings to excerpts from the well-known concert music, "The Carnival of the Animals" by Charles Camille Saint-Saens. Indicates a mean correct response of 40% without instruction. Discusses two extension…

Critiques an investigation of the possibility of applying a Neo-Piagetian task to music. Contends that the task could be used as a criterion measure in determining a developmental sequence for auditory pitch discrimination. Details the Neo-Piagetian positions that make Piaget's theory more compatible with current cognitive psychology trends. (LS)

Summarizes and critiques Berberich's dissertation on cognitive effects on music perception. Comments on the study's unusual data analysis and presentation. States that the main arguments are presented elegantly and clearly, but the study overlooked other issues such as a chapter on related literature. (LS)

Investigates patterns of music listening among music majors regarding accompanied and unaccompanied excerpts varying in tone quality and intonation. Tests the reliability of the Continuous Response Digital Interface, contrasting the measurements obtained to those from a paper and pencil measure. Discusses the results. (CMK)

Explores the importance of emotional expression in music performance. Performers played music to express different emotions and then listening tests were conducted in order to determine whether the intended expressions were perceived. Presents and discusses the results. (CMK)

Compares patterns of rubato usage in four performances of an excerpt from the Mozart Concerto Number 2 in Eb Major for Horn and Orchestra with assessments of musicianship. Indicates that: (1) rhythm is an important aspect of musicianship; and (2) the largest positive assessment change occurred simultaneously with the use of rubato. (CMK)

Examines children's verbal responses to music listening by interviewing 33 children in kindergarten through fifth-grade. Explains that three judges categorized their responses. Indicates judge consensus over the form and content of responses; age tendencies resulted in 3 questions; similarities between development of verbal responses to music and…

Examines the music listening preferences of 2,042 students from Greece, South Korea, and the United States using a survey that listed selections from art music, traditional jazz, and rock music. Finds that age, gender, and country all exerted influence, but the variables did not perform the same way in each country. (CMK)

Argues that music education as aesthetic education has never been understood. Analyzes six general themes that are part of the first stage of development of praxial philosophy represented by "Music Matters" (David Elliott), such as performance as a condition of listening, and performance and musicianship. Include references. (CMK)

Examines knowledge about the structure of memory in order to understand the process of writing melodies. Focuses on a study of 25 students who were asked to write two melodies using a computer. Presents the results and offers an example of the function of memory in writing melodies. (CMK)

Provides a literature review that focuses on the effects of music performance experience on subsequent music listening experiences. Results from a collaborative research effort by students and faculty of the Center for the Study of Education and Musical Experience (Northwestern). Provides a discussion of the review and findings along with…

Proposes a general model of communication that takes place during a musical performance and particularly focuses on the performer-listener communication path within this model. Explores whether the medium is the message, defines the medium and message as separate entities, and demonstrates the applicability of this notion within the realm of…