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Kaplan, Milton A. – Engl J, 1969
Discusses how teachers can use literature to teach students to gather basic materials for writing better compositions. (SW)
Descriptors: Assignments, English Instruction, Literary Criticism, Literature
Stallcup, Jackie E. – Children's Literature in Education, 2004
Jonathan Swift's "Gulliver's Travels" is a complex, uninhibited, savage satire that concludes with the narrator's descent into madness--hardly a likely candidate for children's reading. In the nearly three hundred years since it was first published, however, "Gulliver's Travels" has become associated with children's literature, though it is…
Descriptors: Satire, Childrens Literature, Reading Materials, Revision (Written Composition)
Heyda, John – Writing Instructor, 1988
Suggests that composition courses can strengthen ties between reading literature and writing about it. Shows how writing assignments that originate in readings of literary texts encourage students'"writerliness." Provides a sample satiric sketch assignment sheet. (MM)
Descriptors: Freshman Composition, Higher Education, Literary Criticism, Literature
Dean, Paul – Use of English, 1984
Suggests a method of teaching the poetry of Alexander Pope that focuses on the satirical nature of his writing. (AEA)
Descriptors: Eighteenth Century Literature, English Literature, Higher Education, Literary Criticism
Mendoza, Susan – Canadian Journal of English Language Arts, 1987
Offers several suggestions for teaching George Orwell's "Animal Farm" to high school students. Included are strategies for (1) teaching themes of the story, (2) interpreting the story on several levels, (3) seeing the connections between language and politics, (4) using group activities, and (5) using visual aids. (JC)
Descriptors: Class Activities, English Instruction, Literary Criticism, Literary Styles
JOSEPHS, LOIS – 1967
"MOBY DICK" IS SINGULARLY APPROPRIATE FOR HIGH SCHOOL STUDENTS IN ITS PHILOSOPHICAL, PSYCHOLOGICAL, AND SOCIAL EMPHASIS. HOWEVER, TO GUIDE THE STUDENTS INTO THE THEMATIC INTRICACIES OF THE WORK, THE TEACHER MUST USE A CAREFULLY PLANNED, INDUCTIVE APPROACH THAT DEMANDS CLOSE TEXTUAL STUDY IN CLASS. ALTHOUGH EACH TEACHER SHOULD CONCENTRATE…
Descriptors: Content Area Reading, Critical Reading, English Instruction, Interpretive Reading
KITZHABER, ALBERT R.
DISTINCTIONS BETWEEN THE NARRATIVE AND DRAMATIC MODES CAN BEST BE UNDERSTOOD BY EMPHASIZING WHAT IT MEANS TO THINK AND CREATE DRAMATICALLY. ALTHOUGH BOOKS (WHICH ARE READ) AND PLAYS (WHICH ARE SEEN) TREAT PLOT, CHARACTER, AND SETTING SIMILARLY, CONVENTIONS THAT PARTICULARLY DISTINGUISH THEATRICAL FORM ARE--(1) THE AUTHENTICATING REALITY OF THE…
Descriptors: Classical Literature, Comedy, Drama, English Curriculum
Schaefer, Barbara E. – 1970
The presentation of the book "Animal Farm" by George Orwell to sophomores at East Orange Catholic High School, New Jersey, as a "political document" is discussed. Through research, panel discussions and voluntary comments, the students studied the book in depth comparing it to the power struggle between Stalin and Trotsky in…
Descriptors: Catholic Schools, Creative Thinking, English Curriculum, English Literature
McLaughlin, Frank – Educators Guide to Media & Methods, 1969
To develop better communication with students, English teachers must acquaint themselves with the interests of teenagers and use these interests to establish a common ground of discussion. Movement toward such a dialogue can be started by radical teaching techniques that bridge the gap between the immediate concerns of the students and important…
Descriptors: Audiodisc Recordings, Audiovisual Communications, Comedy, Communication (Thought Transfer)
Report of the Yale Conference on the Teaching of English (16th, Yale University, April 10-11, 1970).
Yale Univ., New Haven, CT. Graduate School. – 1970
Four speeches illustrating important principles in the teaching of English are collected in this booklet: (1) "The Teaching of Writing as Art" by William E. Coles, Jr., who, in posing ambiguous, provocative questions as writing assignments, compels the student to explore language in its relationship to his experience and his persona; (2)…
Descriptors: Classical Literature, College Instruction, Comedy, Drama