In an effort to help directors and actors select and describe effective stage movement, this study developed an approach to human movement, based on selected facts and principles from several related disciplines, including anatomy, physiology, and mechanical physics. The theories of expressive movement discussed and the method recommended for the…

The first three chapters of this study on stage movement trace the emerging influence upon men of the theatre of "commedia," the Orient, and various psychologically-based therapies. The focus then shifts to what is currently being employed to train actors in this country. Using primary sources, eight schools (the Julliard School, the…

This study is part of a larger research agenda, which includes future doctoral study, aiming to investigate the psychological processes of thought experiments. How do thought-experimenters establish relations between their imaginary worlds and the physical one? How does a technique devoid of new sensory input result to new empirical knowledge? In…