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Ng, Hoon Hong – Journal of Music Teacher Education, 2023
Collective free music improvisation (CFMI) develops musicians' relationships, identity, and communication skills and engages musicians from different cultures by tapping into their diversities in the music-making process. It also develops an open attitude toward working with children's creative potential--by paving the way for open, egalitarian…
Descriptors: Music Teachers, Music Education, Teacher Education Programs, Teaching Methods
Ben Moshe, Hilla; Gluschankof, Claudia – International Journal of Music Education, 2022
Orchestras all over the world have concert programs in various formats for children, including some designed for preschoolers. Presenting concerts to children in kindergartens and schools is a long-standing tradition in Israel. The uniqueness of these programs and their main innovation is the preparatory work and process through which the children…
Descriptors: Case Studies, Music Education, Kindergarten, Music Teachers
Howard, Karen – General Music Today, 2020
Music in Japan is richly varied and includes documented genres dating back more than 1000 years. From classical court music known as "gagaku," to the dramatic music plays in "kabuki," to contemporary J-pop (subgenre of popular music), educators can find a sound to suit every instructional need. The focus here will be on…
Descriptors: Music, Asian Culture, Music Education, Foreign Countries
De Baets, Thomas – International Journal of Music Education, 2022
This practitioner research, conducted by a secondary school music teacher, deals with two complementary questions: the conceptual question how one could define the 'artistry' of a music teacher in the context of his teaching practice, and the empirical question in how far the music teacher's actions can determine the quality of the musical…
Descriptors: Music Teachers, Music Education, Secondary School Teachers, Teaching Methods
Jones, Sara K. – Arts Education Policy Review, 2020
The purpose of this study was to explore a fledgling community-school music partnership, "Making Music", and to examine the benefits and challenges of this partnership. The partnership was initially conceived to fill gaps in the music curriculum in an urban school district where few middle schools housed music programs and music at the…
Descriptors: School Community Relationship, Music Education, Music, Public Schools
Isbell, Daniel S. – Contributions to Music Education, 2018
The purpose of this mixed methods study was to examine the experiences of music educators who have experience applying Musical Futures strategies in their own practice. This is an innovative program that incorporates cultural, contemporary, and relevant musical learning for young people in Britain. Phase one of the study included multiple visits…
Descriptors: Music Teachers, Music Education, Faculty Development, Foreign Countries
Joseph, Dawn; Nethsinghe, Rohan; Mas, Alberto Cabedo – Australian Journal of Teacher Education, 2018
This paper contributes to the knowledge base for preparing pre-service teachers (PSTs) for contemporary multicultural classrooms. To do so, we refer to our ongoing project "See, Listen and Share: Exploring intercultural music education in a transnational experience" across three Higher Education sites (Australia and Spain). Drawing on…
Descriptors: Cultural Pluralism, Phenomenology, Positive Attitudes, Music Education
Thompson, Douglas Earl – General Music Today, 2012
Using music technology is a daily reality for music educators. The task may be as simple as readying a CD player for use in an elementary classroom or as complex as setting up a complete sound system--including microphones, mixer, amplifier, and speakers--for a live music production. One piece of music technology music educators constantly…
Descriptors: Music Education, Music, Audio Equipment, Music Teachers
Jeanneret, Neryl – Australian Journal of Music Education, 2010
Musical Futures is a music learning program that was established in the United Kingdom in 2003. It aims to make secondary classroom music more relevant to young people through engaging them in the informal learning practices of real world musicians, recognising that the way in which popular musicians learn is quite different from the pedagogy of…
Descriptors: Music Education, Informal Education, Music, Musicians
Hamann, Keitha Lucas – Journal of Research in Music Education, 2010
Examination of the music opportunities available to students in the junior high schools of the early twentieth century lends historical perspective to current challenges facing middle level music educators. This article describes the specific music offerings at Lincoln Junior High School in Minneapolis, Minnesota, from the school opening in 1923…
Descriptors: Junior High Schools, Music Education, Music, Music Reading
Dammers, Richard J. – Contributions to Music Education, 2009
As music technology has developed and advanced, music classes that use technology as the primary means for instruction have emerged. The purpose of this study was to determine the extent to which New Jersey public high schools offer music classes that are technology-based and to describe the nature of these classes. In the first phase of the…
Descriptors: High Schools, Music Education, Music, Music Teachers
Hills, Charles W., Comp.; Bohms, Alvin E., Comp. – 1975
This bibliography lists representative doctoral dissertations dating from 1954-1975 concerned with instrumental music curriculum for elementary, secondary, higher, and adult education. The 367 dissertations cited deal with individual and group instruction, state of the art reviews of music education, performance techniques, musical aptitude, and…
Descriptors: Academic Achievement, Adult Education, Applied Music, Bands (Music)