The purpose of this presentation was to: (1) describe the history of women's music in the United States; (2) define women's music; (3) report on the status of the large women's recording companies; and (4) focus on a recent controversy in the women's music industry involving the desire for political purity versus the need for economic security.…

Describes the musical history of Chicago, which culminated in the creation of the Chicago Symphony and the construction of Orchestra Hall. Theodore Thomas spent 30 years introducing Chicagoans to symphonic music. He founded the Chicago Symphony and, in 1904, led the first concert in Orchestra Hall. (CS)

The history of the Morehouse College Glee Club, founded around 1911 at the Black college, is highlighted by appearances before such notables as Franklin D. Roosevelt, Martin Luther King, Jr., Haile Selassie, Jimmy Carter, and Benjamin E. Mays and performances with people such as Robert Shaw, Leontyne Price, Diahann Carroll, Maynard Jackson, Billy…

Reviews the early efforts on behalf of music education for the deaf. Provides photographs of both Turner and Bartlett in addition to other primary source material relating to their work. (JDH)

Describes the contributions of two Black women to education and musical activity in Black high schools in Washington, D.C. during the first half of the twentieth century. (GC)

Describes the life of Theodore Presser and the establishment of the Presser Foundation in 1916. Presser was a music publisher and the founder of "Etude" magazine. The Presser Foundation provides scholarships to music students, aid to elderly music teachers, and help to colleges for building music facilities. (CS)

Presents the history of the Illinois School for the Deaf (ISD) band from its inception in 1923 until documentary records end in 1929. Recounts the creation of the band within the context of the ISD, the nature of the repertoire, their performances, and public praise and criticism of the band. (DSK)

The work reported in this bulletin was prepared with two aims held by the committee on music. The first was to prepare a platform sufficiently broad for all proper phases of musical activity, however diverse, found in the high schools of the United States. The second aim was to provide practical help for administrative problems, by presenting in…

Traces the history of the infusion of rhythmic movement into preschool and elementary school music programs. Contrasts a progressive approach which taught that movement was essential in teaching music and a conservative view that rhythmic response was genetically determined and could not be developed through training. (DK)

Early in the year 1919 a questionnaire was sent by the Bureau of Education to all the universities and colleges in the United States. A large proportion of replies was received, as 419 out of 585 institutions returned answered questionnaires. Most of the important institutions of learning are represented in the replies and in most cases we may…

Describes the history of women in music in the United States. Vocal performance was the first area that opened up for women. Prejudice against women instrumentalists still exists, though breakthroughs into the major orchestras occurred after World War II. Women are also underrepresented as teachers of composition and conducting. (CS)

The present chapter offers a general survey of music education in the United States during the past decade and aims to give a bird's-eye view of the whole range of music education in this country during the past decade by discussing briefly a number of the more important fields of this work and some of the more prominent agencies engaged in them.…