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Eduardo M. Duarte Bono – Educational Theory, 2024
Sometimes we hear music (when we play it or hear it, whether live or recorded) and that experience is felt as a singular event. In those moments we find ourselves in an existential situation that, because it is singular (rare, unique, unintended), reveals the formative power of an aesthetic experience of listening to music, what we might call…
Descriptors: Music Appreciation, Aesthetic Education, Aesthetics, Listening
Rebekah Donn; Daniel Elphick – Music Education Research, 2024
This review provides a summary and discussion of the 'Music Literacy' strand (day 1) of the Society for Music Analysis's OxMAC conference (University of Oxford, July 2023). The review highlights how the ever-expanding range of musics currently studied in higher education calls for an increasingly multifaceted understanding of the term 'music…
Descriptors: Foreign Countries, Music, Literacy, Educational Technology
Jung-Yoon Chang; Jinyoung Kim; Seung Yeon Lee – Early Childhood Education Journal, 2025
The aim of this study was to investigate the understanding and reactions of Korean young children to music through analysis of their drawings and the accompanying explanations they present while listening to a musical piece 'The Elephant' from 'The Carnival of the Animals' by Saint-Saëns. Drawings and explanations from 36 six-year-olds were…
Descriptors: Foreign Countries, Young Children, Music Appreciation, Music Education
Hyesoo Yoo – Journal of General Music Education, 2025
In music educators' endeavoring to integrate equity into our curriculum, adopting a rhizomatic approach could provide a valuable perspective for reassessing the Western classical tradition as the norm. From a philosophical perspective, the rhizome is perceived as an interconnected multiplicity, where various elements are intricately connected…
Descriptors: Music Education, Multicultural Education, Classical Music, Non Western Civilization
Steven J. Morrison; Aaron D. Himes; Mark Montemayor; D. Gregory Springer – Journal of Research in Music Education, 2024
Although music education researchers often utilize music major status as a single-item proxy variable for musician status--and with this designation presume musical competencies or abilities of research participants--there is a lack of research demonstrating links between status as a music major and those assumed competencies. In this study, we…
Descriptors: Music Education, Undergraduate Students, Majors (Students), Nonmajors
Jesse Bazzul – Review of Education, Pedagogy & Cultural Studies, 2024
This article explores bells, and objects in general, from a philosophical perspective. More specifically, it explores the way objects orient our being, but only partially as aspects of things always remain withdrawn from access. Through an exploration of the elemental forms of bells, this article positions object exploration as a wholly spiritual…
Descriptors: Musical Instruments, Object Permanence, Music, Philosophy
Christabel Parung; Acep Iwan Saidi; Yan Yan Sunarya; Riama Maslan Sihombing – Arts and Humanities in Higher Education: An International Journal of Theory, Research and Practice, 2025
This research explores the relationship between music and visual art through the visual artworks of four Indonesian students. Focusing on eight paintings inspired by two types of instrumental music, the study employs a qualitative multi-method approach, including Inquiry Graphics and Peircean's semiotic analysis, to understand the creative…
Descriptors: Visual Arts, Music, Inquiry, Painting (Visual Arts)
Quan Zhang; Khomkrich Karin – International Journal of Education and Literacy Studies, 2024
Suzhou Pingtan is a traditional Chinese opera originating from Suzhou, Jiangsu Province, known for its melodic tunes, storytelling, and expressive performances. The objective of this study was to explore the transmission process of Suzhou Pingtan Chinese Opera in Jiangsu, China, and its impact on education and literacy. This study utilizes a…
Descriptors: Foreign Countries, Opera, Literacy, Cultural Background
David Rousell – Review of Education, Pedagogy & Cultural Studies, 2024
This article develops the concept of "low-end phonographic pedagogies" through a life-long engagement with vinyl records and the Afro-diasporic music practices of reggae, dub, and dancehall. Approaching my record collection as a counter-archive of vibrational feeling and learning, I explore everyday practices of playing and listening to…
Descriptors: Audio Equipment, Afrocentrism, African Culture, Music Activities
Lixin Wang – Journal of Computer Assisted Learning, 2025
Background: This paper represents an empirical study that examines the impact of specific teaching methods on the effectiveness of preschool music education. Objectives: The current study seeks to determine whether the integration of digital technology improves the music learning outcomes of preschoolers. Methods: The author compared the learning…
Descriptors: Foreign Countries, Preschool Children, Preschool Curriculum, Preschool Education
Joanne Wong; Alfredo Bautista; Yan Lam Ho; Siu Hang Kong – Research Studies in Music Education, 2024
The purpose of this study was to investigate Hong Kong preschool teachers' music-specific professional development (PD) preferences and analyze the potential differences among teachers with varying levels of teaching experience (beginning, experienced, and advanced). A survey was developed to assess four music-specific PD preferences: content,…
Descriptors: Preschool Teachers, Faculty Development, Teacher Attitudes, Preferences
Ne Myo Aung; Patricia Shehan Campbell – Journal of General Music Education, 2024
The Burmese arched harp, known as "Saung Gauk," is the national icon of the Southeast Asian country of Myanmar (once called Burma). It is both ancient and contemporary, and its music frequently carries stories that are threaded with long-standing philosophical principles of the Burmese. The music of the Saung Gauk consists of five…
Descriptors: Foreign Countries, Asian Culture, Music, Music Education
Sarah H. Watts – Update: Applications of Research in Music Education, 2024
The purpose of this qualitative case study was to explore the experiences of one music teacher (the researcher) and two intact classrooms of 3- to 6-year-old children who engaged in world music lessons as a pathway to developing empathy. Participants in each of the two classes engaged in a 30-minute world music lesson once per week for 8 weeks,…
Descriptors: Music Teachers, Early Childhood Teachers, Early Childhood Education, Young Children
Mary Stakelum – Music Education Research, 2024
In a report commissioned by the Society for Music Analysis to address a gap in music literacy, McQueen (2020) identified instrumental teachers as an important part of music education both within schools and in the community. This article takes as a starting point McQueen's (2020) proposal that 'it is through instrumental tuition that music…
Descriptors: Foreign Countries, Music Education, Literacy, Music
HongMei Zhang – Education and Information Technologies, 2024
Using multimedia elements to present poetry can help make it more accessible and understandable to a broader audience. In the context of China, where poetry is important in culture and art, interpreting the poems of Chinese poets in contemporary music can help popularize their work among young audiences. The study aimed to explore the…
Descriptors: Foreign Countries, Poetry, Music, Multimedia Instruction
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