Describes the use of television commercials to teach classical music. Points out that a large number of commercials use classical selections which can serve as a starting point for introducing students to this form. Urges music educators to broaden their views and use these truncated selections to transmit our cultural heritage. (KO)

Raises a central issue in music education: whether performance is an end in itself or whether it is ancillary to something else. Discusses the traditional aesthetic education notion of musical performance and develops a new concept of the nature and values of music performance in music education. (KM)

Posits that any model of creative thinking in music must deal with how factual content in music serves as the foundation for the creative process. Maintains that music technology is an exciting and meaningful avenue for both convergent and divergent thinking but that creative thinking can occur without technology. (KM)

Reviews the history and state of general music education for K-12 students. Points out that the goals of the Music Educators National Conference were to have music education available to all students and to have all schools and universities require music by 1990. Examines the present situation to determine whether these goals have been attained.…

Reports on music education research in 1990 under these headings: (1) the status of music education from descriptive research; (2) types of research, research findings, and implementation; and (3) probable immediate future of music learning and teaching. (KM)

Outlines music education's history since World War II, highlighting the work of the Music Educators National Conference (MENC). Emphasizes U.S. music educators' influence in international music education, arguing this influence should reflect multicultural, global perspectives. Notes the importance of understanding mass media's influence on young…

Questions what students should know about music and claims that they need an increased awareness of the value of U.S. music, both as music and as representative of U.S. culture. Suggests that teachers can use ready made lists as starting points, but encourages them to compile their own. (KM)

Outlines a philosophy for music literacy for all students that emphasizes wholeness. Suggests that music educators concentrate on nonverbal knowing, integrating popular and classical culture, balancing learned literature and improvisation, and making singing a central part of the music curriculum. Maintains that artistic excellence should be a…