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Steven J. Morrison; Aaron D. Himes; Mark Montemayor; D. Gregory Springer – Journal of Research in Music Education, 2024
Although music education researchers often utilize music major status as a single-item proxy variable for musician status--and with this designation presume musical competencies or abilities of research participants--there is a lack of research demonstrating links between status as a music major and those assumed competencies. In this study, we…
Descriptors: Music Education, Undergraduate Students, Majors (Students), Nonmajors
Wong, Sarah Shi Hui; Low, Amanda Chern Min; Kang, Sean H. K.; Lim, Stephen Wee Hun – Journal of Research in Music Education, 2020
The ability to recognize and distinguish among varying musical styles is essential to developing aural skills and musicianship. Yet, this task can be difficult for music learners, particularly nonexperts. To address this challenge and guide music education practice, this study drew on cognitive psychological principles to investigate the effect of…
Descriptors: Music Education, Musical Composition, Music Appreciation, Listening Skills
Koops, Lisa Huisman – Journal of Research in Music Education, 2017
The purpose of this phenomenological study was to describe children's lived experience of enjoyment during musical play. Data sources included class video from 15 weeks of a 24-week extracurricular music class for 4- to 7-year-olds taught by the researcher, parent-filmed video of child participant music-making in home settings during the same…
Descriptors: Music, Phenomenology, Play, Young Children
Liu, Jing – Journal of Research in Music Education, 2018
This study extends Zimmerman's research on children's music conservation to adult listeners, investigating participants' ability to conserve melody under different harmonic conditions. Specifically, I investigated whether listeners in the study could identify melody when primary, diatonic, and secondary chords were added (Task 1) and when melody…
Descriptors: Music Education, Music Appreciation, Adults, Listening Skills
Dullea, Rhoda – Journal of Research in Music Education, 2017
In recent years, opera companies throughout the United Kingdom have begun to provide educational programs for children that offer opportunities for "apprenticeship" training in the context of professional opera productions, alongside formal choral musicianship training. This article outlines a qualitative case study of a recently…
Descriptors: Qualitative Research, Foreign Countries, Opera, Singing
Madsen, Clifford K.; Geringer, John M. – Journal of Research in Music Education, 2015
This investigation replicates previous research into K-12 students' responses to mid-20th-century art music. The study extends that research to include undergraduates and graduates as well as an additional group of graduate students who had taken a 20th-century music class. Children's responses showed remarkable consistency and indicated that…
Descriptors: Music Education, Music Appreciation, Age Differences, Elementary School Students
Silveira, Jason M. – Journal of Research in Music Education, 2014
The purpose of this study was to determine relationships among pacing, teacher effectiveness, and teacher intensity in the context of a realistic teaching situation. A scripted stimulus video was created in which the teacher demonstrated predefined pacing lapses to measure their effects on observers' ratings of teacher effectiveness, teacher…
Descriptors: College Students, Video Technology, Correlation, Teacher Effectiveness
Sakai, Winfried – Journal of Research in Music Education, 2011
Turkish migrants are the largest national group in Germany. Nevertheless, neither in music psychology research nor in intercultural research can empirical data on the music preferences of Turkish-German primary schoolchildren in the migrational context be found. This study thus examined the music preference responses of children with Turkish…
Descriptors: Music, Foreign Countries, Listening, Language Usage
Bond, Vanessa L. – Journal of Research in Music Education, 2015
Renowned around the world, schools within the municipality of Reggio Emilia, Italy, have inspired North American early childhood educators for over 25 years. Despite the popularity and usage of the Reggio Emilia approach in the United States, music educators may find it unfamiliar. There is a lack of research that has discussed the use of music or…
Descriptors: Music Education, Preschool Education, Preschool Evaluation, Reggio Emilia Approach
Hamann, Keitha Lucas – Journal of Research in Music Education, 2010
Examination of the music opportunities available to students in the junior high schools of the early twentieth century lends historical perspective to current challenges facing middle level music educators. This article describes the specific music offerings at Lincoln Junior High School in Minneapolis, Minnesota, from the school opening in 1923…
Descriptors: Junior High Schools, Music Education, Music, Music Reading

Johnson, H. Earle – Journal of Research in Music Education, 1971
Descriptors: American Culture, Music Appreciation

Larson, Paul – Journal of Research in Music Education, 1971
Descriptors: Listening Skills, Music Appreciation, Teaching Methods
Lum, Chee-Hoo; Campbell, Patricia Shehan – Journal of Research in Music Education, 2007
In this ethnographic study, we examined the musicking behaviors of schoolchildren at one American elementary school. The aim was to gain an understanding of the nature and context of rhythmic and melodic expressions made and heard by children, emanating from other children, as well as adults within the school environment. Time, place, and function…
Descriptors: Music, Ethnography, Educational Environment, Classroom Techniques

Bradley, Ian L. – Journal of Research in Music Education, 1971
Descriptors: Educational Research, Listening Skills, Music Appreciation, Music Education

Fredrickson, William E. – Journal of Research in Music Education, 1999
Examines whether musicians who rehearse and perform a musical selection perceive tension in the music differently than do listeners who have not had the performance experience. Indicates that the experience of performing did not seem to greatly affect perception of tension as measured in this study. (DSK)
Descriptors: Aesthetics, Music, Music Appreciation, Music Education