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Showing 166 to 180 of 983 results Save | Export
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Carney, Russell N.; Levin, Joel R. – College Student Journal, 2007
Students enrolled in music appreciation and music history courses may find it difficult to remember composers' names and the titles of their compositions--particularly when retrieval is prompted by corresponding classical music themes. We sought to develop and validate a mnemonic approach in which musical themes were first recoded as more concrete…
Descriptors: Music Education, Music Appreciation, Mnemonics, Control Groups
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Reynolds, Geoffrey A.; Gottschalk, Thomas – General Music Today, 2009
This article provides general music teachers with resources they can use in their class to: (1) introduce the instrument to their students; (2) energize and reshape their students' attitudes toward the instrument; (3) show older students who are very musical recorder and low flute players who share their love of the instruments through podcasts…
Descriptors: Music Education, Student Attitudes, Musicians, Music Teachers
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Hall, John L. – Journal of Leadership Education, 2008
Leadership and music are two topics that are rarely mentioned together. However, their universal, intriguing, and complex nature allows a unique framework for helping individuals learn leadership concepts. In this paper several songs have been selected from various music genres. Each demonstrates elements of leadership. Aspects of popular culture…
Descriptors: Transformational Leadership, Music, Music Appreciation, Music Education
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Keiper, S.; Sandene, B. A.; Persky, H. R.; Kuang, M. – National Center for Education Statistics, 2009
This report presents the results of the 2008 National Assessment of Educational Progress (NAEP) in the arts, which was given to a nationally representative sample of 7,900 eighth-grade public and private school students. Approximately one-half of these students were assessed in music, and the other half were assessed in visual arts. The Music…
Descriptors: Visual Arts, Music, Academic Achievement, National Competency Tests
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Mckeown-Green, Jonathan – Journal of Aesthetic Education, 2007
Tradition has it that the best way to familiarize oneself with a musical work is to attend a live performance. Teachers urge promising students to frequent concert halls, clubs, or stadia. Musicologists typically adopt the perspective of an ideal concert-goer when arbitrating matters of interpretation or evaluation. In this article, the author…
Descriptors: Music Activities, Music Appreciation, Music Teachers, Music Education
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Nicol, Jennifer J. – Qualitative Report, 2008
Vocative texts are expressive poetic texts that strive to show rather than tell, that communicate felt knowledge, and that appeal to the senses. They are increasingly used by researchers to present qualitative findings, but little has been written about how to create such texts. To this end, excerpts from an inquiry into the experience and meaning…
Descriptors: Qualitative Research, Writing (Composition), Chronic Illness, Communication (Thought Transfer)
Bernstein, Marc F.; Troisi, Thomas J.; Pompilio, Joseph P. – School Administrator, 2009
The goal of every school district is to help students succeed academically and personally. But does every district leverage its most valuable resource, its teachers, to meet that goal? At the Valley Stream Central High School District in Nassau County, New York, these authors know how important teacher commitment is to student success, so they…
Descriptors: School Districts, Academic Achievement, Principals, Computers
Eakes, Kevin – ProQuest LLC, 2009
The purpose of this study was to investigate whether differences exist with regard to music achievement, music self-concept, or student course satisfaction among students enrolled in four different sections of an undergraduate music appreciation course taught from chronological or sociocultural approaches in online or face-to-face formats.…
Descriptors: Music Appreciation, Music Education, Conventional Instruction, Synchronous Communication
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Hui, Wanfong Viny – Music Education Research, 2009
This is a pioneer study of Macau's music education focusing on music listening preference. Adopting models from Western cultures, the study, launched in 2006, aimed to explore the factors of age and gender in regard to music preference. The subjects ranged from fourth-graders to university students (N=2495) (15 missing). Participants rated their…
Descriptors: Music Education, Music, Likert Scales, Foreign Countries
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Kopiez, Reinhard; Lehmann, Marco – British Journal of Music Education, 2008
This study investigates age-related changes in musical preference in elementary school children. The tolerance towards unconventional musical styles has been called "open-earedness" (Hargreaves, 1982a), and it is assumed to decline with increasing age. Musical preferences of 186 students from grade 1 to 4 (age range: 6-10 years) were…
Descriptors: Elementary School Students, Aesthetics, Aesthetic Education, Music Appreciation
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Shields, Allan – Music Educators Journal, 1971
The qualities expected of a music critic are discussed. (CK)
Descriptors: Music Appreciation, Role Perception
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Johnson, H. Earle – Journal of Research in Music Education, 1971
Descriptors: American Culture, Music Appreciation
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Bliss, Robert E. – Music Educators Journal, 1971
Descriptors: Community Involvement, Music Appreciation
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Ward-Steinman, David – Music Educators Journal, 1970
Descriptors: Music Appreciation, Musical Composition
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Skei, Allen B. – Music Educators Journal, 1970
Descriptors: Music Appreciation, Teaching Methods
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