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Lim, Namhee; Campbell, Patricia Shehan – Journal of General Music Education, 2023
Energetic and electric, "samulnori" is a contemporary formalization of traditional Korean percussion music known as "p'ungmul." A description will be offered of the music, and of key musician, Master Kim Duk Soo who has dedicated himself to the design and dissemination of this highly regarded genre. A learning pathway on Korean…
Descriptors: Music Education, Music, Teaching Methods, Korean Culture
Mapana, Kedmon; Campbell, Patricia Shehan – Journal of General Music Education, 2024
In East Africa, Tanzania's musical expressions are rich and varied, and typically a combination of music and dance. A description of "Nindo," a multipart vocal music form of the central Tanzanian Wagogo community, is provided, and a tribute is offered to the legacy of an important village artist, Mchoya, of the musical form that is begin…
Descriptors: Foreign Countries, Music Education, Indigenous Populations, Cultural Influences
Campbell, Patricia Shehan – Arts Education Policy Review, 2020
The unique and shared visions of dynamic activist-musicians in Ethnomusicology and Music Education have resulted in changes to curricular content and instructional processes in schools and on university campuses. Teachers in a wide variety of venues, including university professors, who seek a multicultural-intercultural-global array of songs,…
Descriptors: Ethnology, Music, Music Education, Diversity
Campbell, Patricia Shehan – Teachers College Press, 2018
Music is a powerful means for educating citizens in a multicultural society and meeting many challenges shared by teachers across all subjects and grade levels. By celebrating heritage and promoting intercultural understandings, music can break down barriers among various ethnic, racial, cultural, and language groups within elementary and…
Descriptors: Music, Cultural Differences, Multicultural Education, Community
Liao, Mei-Ying; Campbell, Patricia Shehan – Music Education Research, 2014
The purpose of this study was to examine components of the song-leading process used by kindergarten teachers in Taiwan and the United States, including the critical matter of starting pitch. Five public school kindergarten teachers in Taipei, Taiwan, and five public kindergarten teachers in Seattle, USA, were invited to participate in this study…
Descriptors: Foreign Countries, Kindergarten, Public School Teachers, Singing
Liao, Mei-Ying; Campbell, Patricia Shehan – Music Education Research, 2016
The main purpose of this study was to compare differences in approaches to teaching children's song by kindergarten teachers in Taiwan and the USA. Five public school kindergarten teachers in Taipei, Taiwan, and five public kindergarten teachers in Seattle, USA, were invited to voluntarily participate in this study. They were asked to teach six…
Descriptors: Music Education, Singing, Kindergarten, Musical Instruments
Campbell, Patricia Shehan – International Journal of Community Music, 2010
This is an account of an ongoing project embedded within a university programme in music teacher education, designed and developed in the spirit of community music's embrace of musical exchanges within and between communities. The project is aimed at providing musicians-becoming-teachers with first-hand interaction with children and youth of the…
Descriptors: Music Education, Teacher Education, College Programs, American Indians
Bartolome, Sarah J.; Campbell, Patricia Shehan – International Journal of Community Music, 2009
John Langstaff fits within a select group of pathfinders in American music education who have shaped the profession's service to schools and society with special attention to the traditional musical expressions of American folk. His life and works are worthy of study for the contributions he made as a singer who modelled the nuances of traditional…
Descriptors: Music Education, Music, Musicians, Music Teachers
Campbell, Patricia Shehan; Lum, Chee-Hoo – Music Educators Journal, 2008
More than ever, today's America is diverse beyond anyone's wildest dreams, and the music that resonates in families and neighborhoods, on concert stages, in schools, dance halls, and clubs, and through the media is as wide a variety as exists anywhere in the world. America's music is decidedly difficult to pin down as a single and united style, as…
Descriptors: Music Education, Music, Musicians, Recognition (Achievement)
Watts, Sarah H.; Campbell, Patricia Shehan – Journal of Research in Music Education, 2008
American composer Ruth Crawford Seeger grew into the role of music educator as a consummate musician with a deep interest in connecting children to their American musical heritage. This article examines the contributions of Ruth Crawford Seeger to American music education, principally through examination of primary and secondary sources and review…
Descriptors: Music Education, Musical Composition, Musicians, Music Teachers
Soto, Amanda Christina; Lum, Chee-Hoo; Campbell, Patricia Shehan – Journal of Research in Music Education, 2009
University-community collaborations are a fairly recent phenomenon, which has often been manifested through the establishment of university partnerships with schools. This research sought to document the process and outcomes of a university-school collaboration called Music Alive! in the Valley (MAV), a yearlong partnership between 33 university…
Descriptors: Education Majors, Music Education, Music, Mexican Americans
Lum, Chee-Hoo; Campbell, Patricia Shehan – Journal of Research in Music Education, 2007
In this ethnographic study, we examined the musicking behaviors of schoolchildren at one American elementary school. The aim was to gain an understanding of the nature and context of rhythmic and melodic expressions made and heard by children, emanating from other children, as well as adults within the school environment. Time, place, and function…
Descriptors: Music, Ethnography, Educational Environment, Classroom Techniques

Campbell, Patricia Shehan – Music Educators Journal, 2005
In this time of global awareness, music is an aural pathway for understanding the world in which people live. It is a means of social and self definition and a bridge that connects young people to the others in their neighborhoods, school groups, and wider world communities. When teachers lead children and youth into deep-listening experiences…
Descriptors: Listening, Music, Music Education, Teaching Methods

Campbell, Patricia Shehan – NASSP Bulletin, 1992
The multicultural/multiethnic movement in education is easily advanced through the music curriculum, where music and musicians overlap national and political boundaries. For secondary school students, studying music may be a key to knowing their expressive selves and knowing more about the world. (four references)
Descriptors: Cultural Differences, Curriculum Development, Ethnic Groups, Global Approach

Campbell, Patricia Shehan – Music Educators Journal, 1991
Discusses the importance of teaching improvisation. Defines improvisation as the spontaneous generation of melody and rhythm without specific preparation or premeditation. Answers reasons for not teaching improvisation. Suggests training the ear, providing models, allowing for imitation, developing performance facility, guaranteeing success, and…
Descriptors: Creativity, Elementary Secondary Education, Higher Education, Improvisation