The "Journal of Research in Music Education" ("JRME") is the longest running serial dedicated to music education research, and its articles are widely considered exemplars in the field worldwide. This is a bibliometric study of the sources cited in articles published in the "JRME" from its inception in 1953 to 2015.…

Harry E. Price, recipient of the 2018 Senior Researcher Award, begins by sharing some data that come from an examination of all the citations in the "Journal of Research in Music Education", from its beginning to 2015. The article also describes the 1,000 year old approach to the basic concept of questioning ideas. Price reminds the…

The authors classified citations included in papers presented at 10 International Society for Music Education (ISME) biennial International Research Commission Seminars across an 18-year period (1988-2006) based on the six world regions as specified by the ISME Research Commission. Citations (N = 4,535) were examined from 238 papers presented at…

In this study, the authors examined whether a conductor's use of high-expressivity or low-expressivity techniques affected evaluations of ensemble performances that were identical across conducting conditions. Two conductors each conducted two 1-minute parallel excerpts from Percy Grainger's "Walking Tune." Each directed one excerpt…

The purpose of the present study was to determine if pre-service music educators could discriminate between novice and expert choral directors irrespective of the proficiency of the choral ensemble. A secondary purpose was to compare study results elicited in the USA with those from participants in Europe, South America and Asia. Previous research…

We examined the content of the 2002 and 2004 National Biennial In-Service Conferences of MENC: The National Association for Music Education; the 2002 and 2004 Midwest Clinic: An International Band and Orchestra Conferences; the 2002 and 2004 Orff-Schulwerk Conferences; and the 2003 and 2005 American Choral Directors Association Conventions. Each…

This study examined whether requiring undergraduate college nonmusic majors, enrolled in a music fundamentals course, to own a keyboard would enhance their keyboard skills. The course included instruction in reading notation, singing and keyboard skills. There were two groups. One group (experimental) owned keyboards and had them accessible at…

Presents a study that investigated the effects of a course in music appreciation on attitudes of college non-music majors regarding favorite composers. Concludes that students' tendency to list composers studied in the course among their favorites may be attributable only to familiarity. Discusses the study's weaknesses and suggests future…

This article presents the results of a study designed to determine and promote a precise professional vocabulary on affective response in the field of music. Includes 26 terms and a four-page listing of references, books, and periodicals used. (JDH)

Describes the sixth in a series of studies designed to explore factors that may affect pitch matching. Classifies undergraduate nonmusic majors enrolled in a music fundamentals class as uncertain, modulating, or certain singers. Reveals that there was a significant difference among singer types with uncertain singers being less able to match…

Analyzes the sessions of the 2000 MENC National Biennial In-Service Conference in terms of categories, such as general, educational, concerts, and sessions with performances. Reports that the educational category had the most sessions (65 percent), followed by sessions with performances (17 percent). Addresses trends in relation to the findings.…

Compares 174 music theory and composition professors' opinions about eminence among contemporary U.S. composers to frequency of works performed by 29 U.S. symphony orchestras. Finds faculty-perceived eminence and programing practices moderately related. Suggests some consensus among faculty and orchestra surveys regarding composer eminence. (CH)

Examined results of pretests and posttests given to undergraduates enrolled in a music appreciation course to analyze the changes in their musical attitudes, opinions, and knowledge. Found that students exhibited a significant gain in knowledge about musical works; however, there was no significant difference in their opinions of these same works.…

This study is the second in a series examining the relationship between conducting and ensemble performance. The purpose was to further examine the associations among conductor, ensemble performance expressivity, and festival ratings. Participants were asked to rate the expressivity of video-only conducting and parallel audio-only excerpts from a…

Results indicated that the attentiveness of performers in a university symphonic band was a function of both performance time and treatment. Student attitudes were related significantly to music, conductors, and their interaction. (Author/RM)