The purpose of this Research-to-Resource article is to provide choral directors a short, practical guide to working with male singers throughout their voice change using research-based strategies. Practical recommendations about vocal range assessment, music selection, and vocal warm-ups are provided.

The more critically one reflects on their teaching, the more conscious they becomes of the whys and hows associated with an experience. However, reflection and critical analysis are no easy feats. The structure provided by reflective frameworks can offer music educators guidance in understanding reflection, evaluating reflective thinking, and…

Strings teaching and learning has tended to emphasize performance rather than the quality of experience for the children. School instruction has become rigid and focused on technical accuracy. Alternative teaching strategies must be pursued in order to provide a challenging yet enjoyable experience of playing and learning the bowed string…

If you are interested in performance, music therapy, music production, arts administration, instrument making, music teaching or research, and whatever music tradition you come from, this book will prepare you for success. It tells you about today's music business and gives expert advice that will help you get to where you want to be. It shows you…

Recommendations for student percussion auditions resulting from the Model All-State Percussion Audition Project are presented. It is hoped that state contest directors will consider their implementation. (RM)

The article suggests ways for classroom, resource room, or music teachers to deal with the musical needs of gifted or musically talented students. A six-step planning model for teaching strategies is examined. Project descriptions are also included along with a reference list of resource materials. (Author/CL)

Factors to help students develop creative aesthetic discrimination in music are discussed, and the importance of educating students to be intelligent consumers of music is stressed. Considered are specific objectives in music education, sociological aspects, musical skills, and imagery. (CL)

The paper reviews techniques suggested in the literature for the improvement of suprasegmentals (prosody) and the role of music in speech remediation with communicatively impaired children. Specific strategies, including the Z. Kodaly method of teaching singing and the use of a quartz metronome, are recommended. (Author/CL)

This collection of tried-and-true ideas from real music teachers all over the United States can help teachers who are looking for new ways to bring "The Star-Spangled Banner" and other patriotic tunes into their music programs. More than 100 music teachers describe how they connect patriotic music with historical events, help students…

The ideas of three curriculum theorists (John I. Goodlad, Ralph Tyler, and Elliot Eisner) offer a rich source for the development of rationales that can establish music education as an indispensable part of the curriculum. (AM)

Provides a format whereby the reader can become an effective director of a CAI music program in a relatively short period of time. Included are guidelines for planning, financing, and operating a CAI program within the context of a complete music curriculum. (Author)

Presented are suggestions to help acquire increased community support for music education in general, and MIOSW (Music in Our Schools Week) in particular. MENC (Music Educators National Conference) has selected March 9-15, 1981 for MIOSW. (KC)

The positive features of nonperformance programs such as general music and music appreciation should be communicated often and effectively to the community. There are many effective publicity media appropriate for nonperformance programs. (AM)

Individuals with autism successfully participated in a group musical activity involving a handbell choir. Described is the teacher's role in introducing students to the bells, assigning appropriate bells to each ringer, selecting the music, and directing the choir. (JDD)

Discusses an alpha-numeric system of encoding musical notation--ALPHAMUSE--which is based on fundamental concepts of tonal statements. Encoding problems for pitch, duration, and superpositions are described and solutions offered. (RAO)