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Yoo, Hyesoo – Music Educators Journal, 2023
As we work to connect equity to our curriculum and pedagogy, a rhizomatic approach may provide a valuable lens for reconsidering traditional conventions. Such an approach underlines interconnected multiplicity with a noncentered, nonhierarchical emphasis. Applying a rhizomatic method, I offer music teachers some practical applications to challenge…
Descriptors: Music Education, Music Teachers, Equal Education, Music
Yoo, Hyesoo – Journal of General Music Education, 2023
A framework of cultural humility includes three main tenets: (1) commitment to lifelong, critical self-reflection; (2) recognition and mitigation of power imbalances; and (3) accountability to individuals and institutions. In this article, I aim at applying the concept of cultural humility to frame my analysis of musical diversity in music…
Descriptors: Music Education, Reflection, Power Structure, Accountability
Yoo, Hyesoo – Update: Applications of Research in Music Education, 2023
A Tripartite Model of Cultural Humility-Music (TMCH-Music) includes three tenets, which are essential to forming a humble character: (a) commitment to lifelong, critical self-reflection; (b) recognition and mitigation of power imbalances; and (c) mutually beneficial partnerships with communities. In this model, I situate cultural humility as a…
Descriptors: Models, Music Education, Educational Environment, Music Teachers
Kang, Sangmi; Fung, C. Victor; Yoo, Hyesoo – Journal of Research in Music Education, 2023
We investigated whether preference transfer occurred from 18 taught world music pieces to 18 untaught pieces from the same regions among preservice music teachers. Eighty-three preservice music teachers participated in an interactive, culturally diverse music curriculum over the course of a semester. Participants learned 18 African, Asian, and…
Descriptors: Preservice Teachers, Teacher Education Programs, Preferences, Music Teachers
Yoo, Hyesoo; Kang, Sangmi – Journal of Music Teacher Education, 2021
The purpose of this study was to examine how preservice music teachers navigate 21st-century skills in their lesson planning and field experiences. Among the various skills, we focused on the Partnership for 21st Century learning and innovation skills. Over 8 weeks, 10 preservice music teachers designed lesson plans focused on creativity, critical…
Descriptors: Preservice Teachers, Music Teachers, Field Experience Programs, 21st Century Skills
Yoo, Hyesoo; Kang, Sangmi; Leal, Camilo I.; Chokera, Abbey – General Music Today, 2020
As the U.S. population has become significantly more culturally diverse, many music educators have acknowledged the necessity to implement culturally diverse musics in music curricula. One of the challenges in teaching culturally diverse musics is designing a balance between performing-based activities and other activities such as listening,…
Descriptors: Music Education, Cultural Pluralism, Music, Barriers
Yoo, Hyesoo – Music Educators Journal, 2021
A framework of "cultural humility" has three core tenets: (a) commitment to lifelong, critical self-reflection; (b) recognition and mitigation of power imbalances; and (c) accountability to individuals and institutions. In this article, the author provides a brief definition of cultural humility and apply the concept to frame my analysis…
Descriptors: Cultural Awareness, Music Education, Power Structure, Values
Kang, Sangmi; Yoo, Hyesoo – Research Studies in Music Education, 2019
The purpose of this study was to examine American preservice classroom teachers' self-reported learning outcomes after partaking in a weekly Korean percussion ensemble in an elementary music-methods course. The preservice classroom teachers rehearsed a Korean percussion ensemble piece ("Samulnori") as their course routine for half of the…
Descriptors: Preservice Teachers, Music Teachers, Elementary School Teachers, Preservice Teacher Education
Yoo, Hyesoo – Music Educators Journal, 2017
Multicultural choral music has distinct characteristics in that indigenous folk elements are frequently incorporated into a Western European tonal system. Because of this, multicultural choral music is often taught using Western styles (e.g., "bel canto") rather than through traditional singing techniques from their cultures of origin.…
Descriptors: Music Education, Singing, Teaching Methods, Cultural Awareness
Yoo, Hyesoo; Kang, Sangmi – Journal of Music Teacher Education, 2018
The purpose of this practical action research study was to explore how preservice music teachers, preservice classroom teachers, and a methods course instructor responded to the experience of rehearsing a Korean percussion ensemble piece. Seven preservice music teachers and nine preservice classroom teachers rehearsed "Samulnori" for 20…
Descriptors: Action Research, Music Education, Musical Instruments, Preservice Teachers
Kang, Sangmi; Yoo, Hyesoo – General Music Today, 2016
This article introduces "samulnori" (Korean percussion ensemble), its cultural background, and instructional methods as parts of a classroom approach to teaching upper-level general music. We introduce five of eight sections from "youngnam nong-ak" (a style of samulnori) as a repertoire for teaching Korean percussion music to…
Descriptors: Music, Music Education, Music Teachers, Video Technology
Yoo, Hyesoo; Kang, Sangmi – General Music Today, 2017
This article introduces a pedagogical approach to teaching one of the renowned Korean folk songs ("Arirang") based on the comprehensive musicianship approach and the 2014 Music Standards (competencies in performing, creating, and responding to music). The authors provide in-depth information for music educators to help their students…
Descriptors: Folk Culture, Singing, Teaching Methods, Music Teachers