Professional musician-educators from a tertiary arts institution in Singapore collaborated on a cross-cultural performance in Beijing as part of their professional development. Through a case study, semi-structured interviews explored the music making experiences of four of the musician-educators involved: the composer, the singer, the pianist and…

Although musical inhibition is well known in music education, it has not been studied extensively. This may result in misdiagnosis of student experience. In this paper, we examine how teachers have described the ways they help students overcome musical inhibition. Using a basic qualitative research design, we conducted semi-structured interviews…

I conducted a case study to explore preservice music teachers' behaviors, thoughts, and feelings when engaged in collective free music improvisation. Nine preservice music teachers were taught how to freely improvise within groups as part of a teacher education course and participated in interviews and focus group discussions. Major themes…

In this article, we apply the concept of systemness to music and arts teacher professional development (PD), arguing that to address perennial issues of access and scale, PD policy should be understood as a systems issue. Using systems theory as a lens and the robust and integrated PD system in Singapore as an exemplar, we address the following…

Collective free music improvisation (CFMI) develops musicians' relationships, identity, and communication skills and engages musicians from different cultures by tapping into their diversities in the music-making process. It also develops an open attitude toward working with children's creative potential--by paving the way for open, egalitarian…

The aim of this study is to determine how ground-up, small-scale research partnership initiatives can be incorporated and sustained in a school's curriculum. Two problems are explored: First, how can innovations from small-scale partnerships be transformed into large-scale policies? And, second, how do we sustain values cultivated from small-scale…

Informal pedagogy is closely associated with popular music practices, its methods known to engage students in authentic music learning that develops critical and independent thinking skills, social skills, creativity and self-identity, among others. However, formal and non-formal pedagogies also have relevant roles to play in popular music…

This study aims to reveal how primary school music education lessons are conducted during the pandemic process. For this purpose, answers to the following questions were sought in the study: How did music teachers adapt to the pandemic process? (Which practices did they plan and how did they manage the course process?); How has the pandemic…

This paper reports on the second stage of an international study exploring the future of secondary school music education. Within a discursive context that tends to regard music education as failing to meet the needs of many students, we instigated a three-step Delphi study to capture views from educators across the English-speaking world.…

The professional development (PD) opportunities typically offered to school music teachers in most countries have been described as sporadic, unsystematic, capricious in both purpose and content, and hence ineffective. Among other consequences, this has seriously limited the kinds of questions that music-specific PD researchers have been able to…

This paper reports a qualitative study that investigates how five different video-based online prototypes impacted in-service music teachers' professional knowledge and their learning experiences. Through an examination of participants' posts and interviews, the findings showed that video-based professional development (PD) could impact teacher's…

The purpose of this study was to examine and compare the creative musical identities of pre-service music education students in the United States and Singapore. The Creative Identity in Music (CIM) measure was utilized with both US and Singapore pre-service music teacher populations (n = 274). Items of the CIM relate to music-making activities…

The article discusses a lifelong perspective for growing music teacher identity, particularly related to the in-service development of music teachers. It presents a theoretical framework which is developed from literature reviews on teacher identity development and construction and from case studies of the transformative learning journeys of…

Specialist arts and music teachers around the world experience intense feelings of professional isolation. Such feelings lead to negative consequences on their professional growth, psychological well-being, and ultimately student learning. It is therefore urgent to identify and implement effective policies to foster collegial support and networked…

In this exploratory case study, I examined how preservice music teachers (PMTs) developed collective free music improvisation (CFMI) competencies in a teacher training program in Singapore. Nine PMTs participated in the 6-week course, where they acquired CFMI skills following a curriculum derived from improvisation and free improvisation…