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Meeting the Musician-Teacher Halfway: A Baradian Perspective on Identity Research in Music Education
Ryan Matthew Lewis – Music Education Research, 2024
This theoretical paper explores how researching the identities of musician-teachers can be differently conceptualised through a critical posthuman lens. Wider calls to action demand an expanded professionalism of musician-teachers, but when such recommendations are combined with fixed notions of identity as self-contained and producible, they risk…
Descriptors: Music Teachers, Music Education, Humanism, Realism
Joseph Michael Abramo – Action, Criticism, and Theory for Music Education, 2025
In this paper I explore social justice and equity research in music education through the lens of capitalist realism and accompanying concepts. I look at Fisher's ideas on hauntology and its connection to classical liberalism and neoliberalism. Fisher noted how some electronic music and pop music of the early 21st century is structured by…
Descriptors: Social Justice, Music Education, Music Teachers, Neoliberalism
Margaret S. Barrett; Heidi M. Westerlund – SpringerBriefs in Education, 2024
This book challenges the dominant expertise professionalism rationale for music education by responding to the call to develop 'ecological awareness' at a time when all professions have a moral obligation to place sustainable and interdependent life at the center. The book aims to expand music education's professional horizons to acknowledge the…
Descriptors: Music Education, Sustainability, Ecology, Moral Values
Raychl Smith – International Journal of Music Education, 2024
How can music educators explore the intersections of spirituality, relationships, and music education? The purpose of this paper is to examine how the Pixar film, "Soul," models the transformation that can occur when a music teacher embraces spirituality and the preciousness of everyday life both in and out of the classroom through…
Descriptors: Music Education, Music Teachers, Musicians, Popular Culture
Ryan D. Shaw; Stuart Chapman Hill – Journal of Music Teacher Education, 2025
In this article, we analyze a course type common to music education degree plans: the "introduction to music education" (IME) course. Known as "intro to music ed" or by a variety of other names related to "foundations" and foundational thinking, this course type is ubiquitous. However, the aims, content, and…
Descriptors: Music Education, Introductory Courses, Course Content, Music Teachers
Stephen Fairbanks – International Journal of Education & the Arts, 2024
Drawing upon autoethnographic experience as a music educator, I make the assertion that transformative learning is particularly amplified in locations where a person encounters the unfamiliar, for those are often the precise places where an individual's habitus no longer holds efficacy. To build this argument, I propose that when inner…
Descriptors: Music Education, Music Teachers, Place Based Education, Cultural Capital
van Zoelen, E. Joop – Research and Issues in Music Education, 2023
Music students often encouter problems in reading sheet music, because of the complexity of Traditional Music Notation (TMN). Klavar is an alternative music notation system that is simple, intuitive, and easy to learn. Thousands of compositions from many composers are available in Klavar. In its original form, Klavar can be considered as tablature…
Descriptors: Music Education, Music Theory, Music Reading, Musical Composition
Randall Everett Allsup – Visions of Research in Music Education, 2023
This essay concerns the educational legacy of Professor Lenore (Lee) Pogonowski, who passed away in early 2022 after a long career of teaching music education at Teachers College Columbia University. In this manuscript, I discuss the instructional design model that Lee Pogonowski called the "creative music strategy." Her greatest…
Descriptors: Music Education, College Faculty, Music Teachers, Creativity
Jane Southcott; Frances Elliott – Journal of Historical Research in Music Education, 2024
Studio music teachers have always been constant in Australian society, rarely recognised beyond their immediate surrounds. Building a 'connection' of students required advertising, primarily by word-of-mouth or via local press announcements. Few teachers placed individual advertisements in local papers. This changed in 1911 with the establishment…
Descriptors: Foreign Countries, Music Teachers, Music Education, Advertising
Felipe Javier Zamorano-Valenzuela; José Luis Aróstegui; Cristina González-Martín – British Journal of Music Education, 2024
This article discusses the literature on music teacher education programmes for mainstream education in order to undertake critical reflection on what we are doing and why in our university classrooms, what theories are implicit and what could be done to improve our programmes. After analysis, mainly from European contexts, and considering the…
Descriptors: Music Teachers, Teacher Education Programs, Preservice Teacher Education, Economic Factors
Stephanie Cronenberg – Journal of General Music Education, 2024
What might the field of music education do to learn, grow, and reinvent itself as we emerge from COVID-19 and virtual learning? Implied in the "return to normal" discourse, permeating all areas of music education in the year or more following virtual learning is the felt need to keep going and return to music education as usual. Yet…
Descriptors: Music Education, Educational Change, COVID-19, Pandemics
Jacob Langstaff – Update: Applications of Research in Music Education, 2024
Classroom management is reported to be among the greatest difficulties for beginning music educators. The purpose of this literature review was to examine extant research studies on the topic of classroom management in K-12 classroom music. Research topics included the components of classroom management, preservice and inservice teacher beliefs…
Descriptors: Elementary Secondary Education, Music Education, Teacher Attitudes, Preservice Teachers
Ian Cicco – Action, Criticism, and Theory for Music Education, 2024
The purpose of this philosophical inquiry is to problematize the assumptions underlying elementary music teachers' choice to both erase folk songs from their curricula and to replace lyrics with racist associations. Erasing is defined as a process in which music educators remove certain folk songs with racist origins entirely from their…
Descriptors: Elementary School Teachers, Music Teachers, Folk Culture, Singing
Katrina R. Woodworth – SRI Education, a Division of SRI International, 2024
In November 2022, California established the Arts and Music in Schools Act to fund arts education programs in TK-12 public schools. With funding from the William and Flora Hewlett Foundation, SRI Education led an inquiry to estimate the number of new arts teachers required to fulfill the promise of the act. This brief presents funding allocations…
Descriptors: Elementary Secondary Education, Art Education, Art Teachers, Music Teachers
Suzanne Hall – Philosophy of Music Education Review, 2024
The Eurocentric canon remains the predominant focus of music education often excluding the role of music and experiences of Black individuals and people of color. This singular perspective creates an incomplete and inaccurate understanding of the comprehensive nature of music and the humans who create, perform, and engage with it. In this article,…
Descriptors: Inclusion, Music Education, African American Teachers, Music Teachers