This theoretical paper explores how researching the identities of musician-teachers can be differently conceptualised through a critical posthuman lens. Wider calls to action demand an expanded professionalism of musician-teachers, but when such recommendations are combined with fixed notions of identity as self-contained and producible, they risk…

In a prior investigation I focused on the cooperating teacher's perspective during mentoring dialogues, reflecting on their role as a mentor (Munroe, 2021). Other researchers have focused on what the student teacher learns from the conversation, but not specifically on teacher identity development (Fernandez & Erbilgin, 2009; Tsui et al.,…

Swanwick and Tillman set out three levels at which their "Sequence of Musical Development" may implicate music teaching: "general curriculum planning," "individual development," and "the role of the teacher." From the perspective of a practitioner working as a secondary music teacher in England, this article…

Numerous studies have demonstrated the substantial advantages of integrating music education into the overall development of students, particularly in early childhood education. This integration allows for combining music education with various curriculum areas, utilizing its playful and motivating nature as a practical methodological tool for…

This research, carried out between 2020 and 2021, involves an online questionnaire and individual interviews with undergraduate music students at universities and conservatoires in the UK, to examine student experiences of receiving and delivering instrumental and singing tuition. There is no regulation of instrumental teaching in the UK, and…

This dissertation explores the current use of YouTube in music studies in higher education while suggesting a reconsideration of the academic as both source and resource in the neo-information age. In it, I summarize interviews with ten current YouTube content creators who run music education channels, focusing on their role as teachers in an…

This study focuses on the innovative strategies that tertiary music teachers (specialist music teachers and experts) employ to help musically-challenged students. Those who have trouble with rhythm, tonal acuity, music theory, and musical aptitude are operationally referred to as musically-challenged. Ten participants were selected through…

Music educators are responsible for teaching students with an array of personality types and must be able to reach them all. Introverted or quieter students may constitute up to 50 percent of participants in a given music class or ensemble. In this article, we discuss differences between extroverted and introverted music learners and synthesize…

Music education does not look the same in Hawai?i as in other states or parts of the world. This study paints a picture of the range of elementary music teacher positions in O?ahu schools and identifies the current needs of music educators. How are O?ahu elementary music teachers prepared to fulfill their professional roles and responsibilities?…

The purpose of this study was to understand the professional and personal experiences of female-identifying elementary music specialists within higher education. Specifically, this study sought to understand: (1) How do personal changes such as marriage and parenthood affect personal and professional lives, goals, and career trajectories for these…

Creative thinking is an essential skill for success in the 21st century. The elementary general music classroom provides a fertile environment for creative thinking instruction. Although the national music standards emphasize the importance of creative thinking activities, many music classrooms focus on basic music skills and performance…

This research examines the comments on violin instruction videos on YouTube in the context of practice challenges encountered by learners while playing the violin and solutions provided by instructors to these challenges. 205 comments related to the research context were included in the analysis among a total of 4934 comments from 398 violin…

In general music classes, students participate in a variety of musical experiences, including ensembles. These may include classroom experiences playing instruments or singing as a group, or in more long-term performance-based experiences such as a musical or program. It is important that students with disabilities participate meaningfully in…

Collegiate music students are at a unique intersection which may put them at an increased risk for mental health challenges and illnesses: the intersection of creatives and emerging adults. Research suggests that mental health in the United States is continuing to decline. However, there is little research and discussion about how collegiate music…

The purpose of this study is to uncover and comprehend the current state of pre-service music teachers' use of self-regulated learning skills in instrument education, as well as the obstacles they face and the techniques they use to develop these skills throughout their instrument education. The data were obtained from participants' experiences…