Interest in creative music technologies is on the rise among secondary students. Still, some music teachers are unsure how to integrate creative music technologies into their instruction. This article explores one versatile and powerful technology for the music classroom: digital audio workstations (DAWs). First, I discuss the central role of…

The purpose of our study was to examine how hacking -- as discussed and displayed by participants of Monthly Music Hackathon NYC -- could inform making music education practices more accessible and inclusive, if at all, for people with disabilities. Free and open to the public, Monthly Music Hackathon NYC hosts non-competitive community-based…

Discusses how computer-generated music can be used as a starting point to explore the science of sound. Listings for programs which focus on pitch (including a pitch matching game), beat, and frequency are included. (JN)

Explains that after the Columbus (Georgia) Symphony was awarded a National Endowment for the Arts grant for American music, the symphony director gave a portion of the money for an elementary music composition class that utilized computers for two reasons: (1) students could get immediate feedback; and (2) the computers provided motivation. (CMK)

States that a growing number of schools are installing general computer labs equipped to use notation, accompaniment, and sequencing software independent of MIDI keyboards. Discusses (1) how to configure the software without MIDI keyboards or external sound modules, (2) using the actual MIDI software, (3) inexpensive enhancements, and (4) the…

Maintains that, although none of the National Standards for Arts Education requires the use of computers in music education, it is assumed that computer use will expand. Discusses and reviews the use of computer software and other educational technology in the music classroom. Includes a list of three books for further reading. (CFR)

Contends that band students who are taught composition techniques improve listening skills, make aesthetic decisions, and become more imaginative and creative. Presents ideas from five music teachers for incorporating composition into the music curriculum. Discusses the use of computer software in musical composition. (CFR)

Examines the musical compositions of Australian children ages seven and nine years to discover the nature of their melodic and rhythmic representations. Finds that older children created more compositions of higher stages of complexity. Reports that girls produced a greater percentage of compositions assigned to the highest stages. (CFR)

Explores the combination of the microcomputer and a digital synthesizer which use the Musical Instrument Digital Interface (MIDI). Discusses the evolution of MIDI, music classroom applications, and suggestions before purchasing a MIDI. (MVL)