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Patrick W. Horton – Music Education Research, 2024
Scholars have often highlighted the intrinsic features of technology to support the generation and sharing of ideas (Craft 2011). By studying user interactions within informal online communities, researcher can elucidate the ways technology impacts creativity and learning within these groups. This qualitative content analysis (Hsieh and Shannon…
Descriptors: Creativity, Musical Composition, Communities of Practice, Electronic Learning
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Demirci, Sirin A.; Nergiz, Eda – International Education Studies, 2021
It is thought that to be successful in piano education it is important to understand how composers composed their solo piano works. In order to understand contemporary music, it is considered that the definition of today's changing music understanding is possible with a closer examination of the ideas of contemporary composers about their artistic…
Descriptors: Musical Composition, Music Techniques, Music Education, Musical Instruments
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Duarte, António M.; Constantinidi, Niki P. – Research Studies in Music Education, 2021
This article reports part of the results of a larger study, where the goal was to explore music composer's representations of music composition. Previously published interviews of 57 established vanguard contemporary music composers (based across continents) were subject to a thematic analysis, validated by an independent analysis of a percentage…
Descriptors: Musical Composition, Music Education, Musicians, Learning Strategies
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Zabanal, John Rine A. – Update: Applications of Research in Music Education, 2021
The purpose of this study was to examine invited orchestras and their selected repertoire at the Midwest Clinic from 1990 through 2019. A majority of invited orchestras (N = 261) were from the United States and primarily consisted of high school musicians. The most performed piece for full orchestra was "Symphony No. 8, op." 88 by Dvorák…
Descriptors: Musicians, Music Activities, Musical Instruments, Music
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Alper, Akgül – Educational Research and Reviews, 2021
This current study primarily focuses on the contribution of the etudes, which have a significant role in piano education, to musical expression and narration improvement. Starting from this point of view, Op. 65 etudes by Albert Loeschhorn which were released as studies for improving technical and musical expression and with the aim of being used…
Descriptors: Music Education, Musical Instruments, Music Techniques, Music Activities
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Orzolek, Douglas C. – Music Educators Journal, 2021
This article offers the thoughts and comments of ensemble students performing music composed by women, African Americans, LGBTQ+ persons, and those who are minoritized in their own countries or regions. The student reflections suggest the potential roles music education might play in helping students reflect on issues of diversity, equity, and…
Descriptors: Music Education, Musical Instruments, Musical Composition, Minority Groups
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Elitas, Özlem; Türkmen, Emel Funda – International Journal of Curriculum and Instruction, 2022
Witnessing the last periods of the Ottoman Empire and the first years of the Republic, Muallim Ismail Hakki Bey, like some great composers in the history of Turkish music, made important works to ensure that these "makams" are not forgotten by producing new works from "makams" that he noticed were rarely used in his lifetime.…
Descriptors: History, Music, Musicians, Musical Composition
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Wang, Dongfang – International Journal of Web-Based Learning and Teaching Technologies, 2023
The goal is to promote the healthy and stable development of music education in China. The time-frequency sequence topology in frequency domain can improve the effect of convolution operation. Therefore, this paper applies the above algorithms to classical music education, including the recognition of classical instruments, the feature extraction…
Descriptors: Foreign Countries, Music Education, Classical Music, Musical Instruments
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Alex Chilvers; Lu Liu – Music Education Research, 2024
A model for incorporating diverse musical content into the core conservatory aural skills curriculum is presented. We position the contemporary conservatory as a solid institution providing Western musicians with a sense of stability and heritage in an age of anxiety (Bauman's 'liquid modernity'). Despite these benefits, we argue that the…
Descriptors: Auditory Perception, Music Education, Music Techniques, Core Curriculum
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Ne Myo Aung; Patricia Shehan Campbell – Journal of General Music Education, 2024
The Burmese arched harp, known as "Saung Gauk," is the national icon of the Southeast Asian country of Myanmar (once called Burma). It is both ancient and contemporary, and its music frequently carries stories that are threaded with long-standing philosophical principles of the Burmese. The music of the Saung Gauk consists of five…
Descriptors: Foreign Countries, Asian Culture, Music, Music Education
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Norman, Timothy David – Journal of General Music Education, 2022
In this column, I discuss a soundscape composition activity that I implemented with primary/elementary music classes. During this activity, students used the iPad app, iMovie, to record, organize and edit sound to accompany photos of artworks that they had created. Overall, I found iMovie to be a useful app for music composition with general music…
Descriptors: Elementary Education, Music Education, Handheld Devices, Telecommunications
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Helen Lija Kasztelan Chapman – Victorian Journal of Music Education, 2022
The study investigates Australian music teachers' approaches to teaching the post-tonal piano music of Béla Bartók, composed between 1908 and 1920 and included in the syllabi of four international music examining bodies in Australia. Despite the inclusion of Bartók's piano music in Australian instrumental music education syllabi, it is often…
Descriptors: Foreign Countries, Music Teachers, Teaching Methods, Music Education
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Wieneke, Julia – British Journal of Music Education, 2020
Since the late nineties, composition projects inviting artists and contemporary composers into schools and communities became more established and written about in German speaking countries (see for instance Henze, 1998; Schneider, Bösze & Stangl, 2000; Schneider, 2000; Schatt, 2009; Schlothfeldt, 2009; Schneider, 2012). Additionally, music…
Descriptors: Foreign Countries, Musical Composition, Creativity, Student Projects
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Umamaheswaran, Paneerselvam; Ramachandran, Sharavan; Sivasubramaniam, Shivadas D. – Journal of Academic Ethics, 2020
Music plagiarism is defined as using tune, or melody that would closely imitate with another author's music without proper attributions. It may occur either by stealing a musical idea (a melody or motif) or sampling (a portion of one sound, or tune is copied into a different song). Unlike the traditional music, the Indian cinematic music is…
Descriptors: Foreign Countries, Plagiarism, Music, Films
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Yücetoker, Izzet – International Education Studies, 2021
The aim of this study is to access editions of Italian Baroque works in place; to examine the availability of these works in terms of gaining techniques for playing in piano education, to gain new works aimed at different pedagogical stages in the field and to acquire new but unknown works in piano education repertoire. This research was carried…
Descriptors: Music Education, Musical Composition, Music, Teaching Methods
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