Criticizes the U.S. tendency to emphasize the European musical tradition to the exclusion of other cultural influences. Notes the ease of learning about other musical traditions. Argues that music teachers and students alike can benefit from multicultural materials. Suggests that multicultural music education can heighten respect for the U.S.…

The descriptions of Polynesian music and dance resulting from Cook's voyages influenced the romantic composers of the early nineteenth century, especially in the incorporation of exotic and mystical themes. (Author)

The author notes a growing trend toward the inclusion of world musics at both the elementary/secondary and higher education levels. He presents a rationale for studying world musics and cites the importance of giving students an understanding of cultural context in such study. (SJL)

The author considers the appropriate content of a "music appreciation" course and how both the diversities and commonalities of the world's musics can be presented in terms of the basic concepts of rhythm, harmony, melody, timbre, intensity, and form. (SJL)

Outlines approaches for introducing multicultural music into the standard music appreciation class. Notes the close relationship and influence shared by Middle Eastern and Western music and recommends using this as a starting point. Includes selected resources on world music and recommended music selections. (MJP)

Explains and characterizes some of the basic concepts of East African music. Fundamentally an enhanced way of storytelling, East African music techniques are rooted in the play and rhythm of spoken language. Compares and contrasts East African and Western musical conventions. Includes a list of East African music resources. (MJP)