Although music education researchers often utilize music major status as a single-item proxy variable for musician status--and with this designation presume musical competencies or abilities of research participants--there is a lack of research demonstrating links between status as a music major and those assumed competencies. In this study, we…

We examined how movement impacted listeners' perceptions of choral performances. Participants (N = 115; n = 60 nonmusic majors, n = 55 music majors) viewed excerpts of Moses Hogan's "Didn't My Lord Deliver Daniel" under four conditions: good tone/expressive movement (GT/EM), good tone/static movement (GT/SM), poor tone/expressive…

The purpose of the study was to investigate how university band students' (non--music majors) motivational goal orientations toward band and academics differ across participants from Singapore (n = 200) and the United States (n = 227) and examine how they relate to a suite of adaptive dispositions (i.e., flow, grit, and commitment) relevant for…

The purpose of this study was to examine the effects of music experience and excerpt familiarity on the internal consistency of performance evaluations. Participants included nonmusic majors who had not participated in high school music ensembles, nonmusic majors who had participated in high school music ensembles, music majors, and experts…

Presents a study that investigated the effects of a course in music appreciation on attitudes of college non-music majors regarding favorite composers. Concludes that students' tendency to list composers studied in the course among their favorites may be attributable only to familiarity. Discusses the study's weaknesses and suggests future…

Examines group influences regarding music preferences to determine the effect that conformity has on the decision-making process. The study tested participants selections of popular and orchestral excerpts which had altered pitch and/or tempo. Concludes that preferences of music majors regarding orchestral music are not significantly affected by…

Presents results of a test of nonmusic majors' ability to remember song titles. Suggests that, although the process of categorization seems to be a basic function of perception, appropriate categorization needs to be learned. Supports the view that music learning, like verbal learning, involves a categorization of stimuli based on holistic…

The purpose of this study was to determine how judgments of solo performances recorded at an international piano competition might be affected by excerpt duration (20 versus 60 seconds) and tempo (slow versus fast). Musicians rated performances on six test items. Results indicated that piano majors rated slow excerpts higher than they rated fast…

Presents study results on effects of historical and analytical information on subjects' responses to music listening experiences. Attempts to learn how best to increase the overall value placed on music by people without musical training. Compares groups with (1) no background information; (2) historical information; and (3) analytical…

Presents a study that investigated the significance of the octave-equivalence assumption, an essential assumption to the notion of "pitch class" and the analysis and pedagogy of all music in the Western tradition. Discusses development and organization of experimental items and describes the method of presentation. (GEA)

Reports on a study designed to investigate loudness judgments of 30 musician and 30 nonmusician listeners in response to performed dynamic changes within a musical context. Finds that musician subjects indicated a significantly smaller magnitude of dynamic change than did nonmusician subjects. (CFR)

Compares preferential ratings of art music among 100 music majors and 100 nonmusic majors. Finds that music majors' preference ratings were significantly higher than those of the nonmajors. Also finds that Likert-scale ratings of nonmajors using the Continuous Response Digital Interface were higher than those using a static measure. (CFR)

Presents results of a study that explored the effect of overt categorization on musical preference. Found no difference in choices of nonmusic majors when choices were structured as stipulated, unstipulated, or free form categories. Finds musical experience and gender affected preferences for pop and jazz, but not for rock music. (DK)

Reports on the effects of tempo direction, listening mode, and level of musical experience on speed and accuracy in tempo change among 160 music majors and nonmajors. Finds that music majors more accurately detected tempo changes than did nonmajors. (CFR)

Discusses a study of how music education majors and nonmusic education majors evaluated a fifth grade music teacher. Reports that nonmusic majors gave significantly higher ratings than majors for three of four teacher characteristics analyzed. Recommends research to determine variables that affect observation and evaluation processes related to…