In this article, I explore how relationships can change the teaching practices of museum educators and strategies of entire organizations by empirically studying conversations museum educators have every day in meetings, in the hallways, and all the places where they talk about their work. I present the possibilities of reciprocal telling…

This article, prepared in the form of a conversation among the authors, discusses the role of a museum's repatriation of human remains or sacred objects to Indigenous communities in their efforts around Diversity, Equity, Accessibility, and Inclusion (DEAI). Presenting case studies from their museums or from their own research in Germany and the…

Bridging the gap between an author's works based on real life and historical accuracy can be a challenge for literary sites that symbolize both fiction and reality. Louisa May Alcott's Orchard House, the home of the Alcott family and the place in which she wrote her most famous novel, "Little Women," also served as the setting for the…

Museums frequently default to simple attendance measures to define success, measures that fall well short of the mission impact these institutions seek to have. Mixed methods studies can integrate quantitative and qualitative findings to paint a robust picture of the impact a museum's educational programming is capable of having, although this…

The first three children's museums in the world opened in Brooklyn, New York (1899), Boston, Massachusetts (1913), and Detroit, Michigan (1917). This paper examines the contributions of children's museum professionals to museum education through presentations at the American Association of Museums given by the curators of the first three…

In recent years, many museums across the country have established or invested resources to implement maker programs or makerspaces for their visitors. These programs and spaces serve a variety of organizational and/or programmatic goals, but fundamentally they serve as sites of learning. Yet, despite these growing efforts, the field knows…

The Federal Arts Project (WPA-FAP) (1935-1943) of the Works Progress Administration (WPA) was a federally funded program designed through Franklin D. Roosevelt's New Deal to keep visual artists at work during the Great Depression. Many of these arts programs took place through museums and exhibitions, bringing the visual arts to everyday Americans…

"Pack It Up!" was a fully interactive history exhibit for all ages, targeting primarily families with elementary-school-aged children. It invited visitors to work collaboratively through open-ended object inquiry and primary source analysis. Collaborative exhibit design between the education and collections departments led to an exhibit…

In this article, we describe some of the common misconceptions guests have expressed while visiting a Museum of Natural History and Science, along with ways in which museum educators had reacted to and/or responded to guests' misconceptions. Correcting commonly held misconceptions can be difficult, especially when guests are emotionally invested…

In the early 1950s television was the hot new broadcast media. The post-war economic boom meant that more and more American households were purchasing televisions, and television programming was growing to meet demand. The moment was rife with the potential to reach more and more people through the dazzling allure of television. Many American…

The authors will discuss how all cultural institutions can benefit from a top-notch virtual learning program in terms of outreach, diversity, and promotion of collection. We'll provide ways to maintain an outstanding virtual program, and discuss data collected from museum educators from a wide range of diverse cultural centers to discuss the…

As museum educators move forward to promote racial and cultural equity in the field, it will be critical to consult those who have been doing this work to learn from their experiences. In this discussion, Radiah Harper and Keonna Hendrick reflect on Ms. Harper's experience advocating for racial and cultural inclusion in museum education, while…

Museum education departments hold great potential to train content specialists to be scholar-educators. This article offers as a case study a doctoral support fellowship at the Museum of the City of New York that fosters the ability of historians-in-training to communicate with a wide range of audiences and deepens the connections between…

This article explores an education project in which artist Fred Wilson, poets from Lincoln Center's Poet-Linc program, and the Met Museum Education Department collaborated to produce a teen-led spoken-word poetry performance in the Met's galleries. Wilson drew from his own knowledge of the collection to facilitate a group dialogue about objects…

Writing Salon at the National Gallery of Art, in Washington, DC, is a series of free creative writing workshops for adult audiences. The program uses art as an inspiration for writing and embraces writing as a powerful way to experience art. Highlighting the parallels between the writing and art-making processes, the program demonstrates that…