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Sally Macarthur, Editor; Julja Szuster, Editor; Paul Watt, Editor – Palgrave Macmillan, 2024
This edited book considers the impact of neoliberalism on music teaching, research and scholarship in a higher education context. As a subject that bears little resemblance to other university practical disciplines, and fares poorly in a model driven by economics, the book considers whether musicology is a 'public good' or a threatened species. It…
Descriptors: Music Education, Teaching Methods, Neoliberalism, Higher Education
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Jenkins, Louise – Australian Journal of Music Education, 2014
Australia is currently responding to an international trend that encourages social inclusion and the provision of equal opportunity for all. In a climate that is encouraging and supporting social inclusion, it can be enriching to look back at Australia's history and consider the benefits that have been gained in a previous era when people were…
Descriptors: Foreign Countries, Females, Opera, Musical Composition
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O'Bryan, Jessica – Research Studies in Music Education, 2015
Preparation for the operatic stage means that for some students their voice will undergo significant transformation during training. For most operatic singers, voice type will determine future roles, the music they perform and potential career trajectory. Voice type becomes a facet of identity and position within the operatic world. This article…
Descriptors: Foreign Countries, Music, Music Education, Opera
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Nyland, Berenice; Acker, Aleksandra; Ferris, Jill; Deans, Jan – International Journal of Early Years Education, 2011
This article describes a music programme in an Australian early learning centre. Through a repertoire of songs, games and instruments, the children were introduced to music forms, including opera. Mozart's Magic Flute was presented to these children by watching the Metropolitan Opera's latest film performance. Because this opera seized the…
Descriptors: Foreign Countries, Preschool Children, Learner Engagement, Opera
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White, Julie – Cambridge Journal of Education, 2006
This article reports on a five-year Australian study where pre-service primary and secondary teachers were encouraged to enhance their creativity through the development of ethnographic operatic performances. The creativity focus of this project was the important aspect of risk-taking and daring. The methodological basis for the study is…
Descriptors: Creativity, Research Methodology, Foreign Countries, Preservice Teachers
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Howard, V. A. – Journal of Aesthetic Education, 2001
The world of classical music, says the writer, has always been international, and has now become truly global. Opera is perhaps traditionally, and most conspicuously, global. At any performance of the Metropolitan Opera of New York, for example, one encounters several different nationalities on stage, back stage, and in the orchestra pit. But the…
Descriptors: Opera, Classical Music, Musicians, Citizenship
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White, Julie; Dixon, Mary; Smerdon, Lynda – Australian Journal of Teacher Education, 2004
In recent years, pre-service teacher education has attempted to incorporate into programs an understanding of Gardner's theory of multiple intelligences as it applies to schools. In this paper the tension between "learning about" multiple intelligences and "learning through" multiple intelligences supports Gardner's (1993)…
Descriptors: Opera, Multiple Intelligences, Preservice Teachers, Foreign Countries
Suthers, Louie; Larkin, Veronicah – Journal of Australian Research in Early Childhood Education, 1997
Performance in drama, dance, music, puppetry, or combinations of these arts can be an exciting encounter for young children. This case study investigated one 4-year-old's responses to a children's opera. Her responses before, during, and after the performance were systematically observed and analyzed. Data showed that the child had some knowledge…
Descriptors: Art Activities, Art Appreciation, Art Expression, Case Studies