In 1993 Lake Agassiz School in North Dakota received a Knight Foundation grant so teachers and students could participate in a program to learn how to create an opera. The program instructed teachers on how students could maximize their understanding about producing an opera. The school formed a partnership with the Metropolitan Opera Guild of New…

Presents over 30 activities designed to introduce elementary school children to opera. Also provides a synopsis of and student activities for three specific operas ("Hansel and Gretel,""The Mikado,""Aida") and a short article about opera star Luciano Pavarotti. (SJL)

Suggestions are made for introducing opera to children when they are in kindergarten and in the lower elementary grades. Opera is a form of artistic excitement involving many elements especially well-loved by children and natural to them, including music, costumes, acting, dancing, scenery, and imagination. (RM)

Describes how a first-grade class created an operetta about losing their teeth. The students told stories about losing teeth and made those stories into songs using Orff-type speech and music techniques. (AM)

The Piedmont Opera Company embarked on opera productions in two junior high schools, involving professional performers with students and faculty. School members sang in the chorus, danced, and acted in walk-on roles. Many departments besides music took part in the varied aspects of the production. (CS)

Describes the Viva Kids! Program, in an inner-city elementary school in Florida, in which students create and produce their own opera, engendering great enthusiasm and giving students a new sense of responsibility. (SR)

Describes a two-week English project in which ninth graders read "La Boheme" in translation, studied it as a drama, listened to arias, and finally watched a videotaped performance of the opera. (JG)

Describes the picture book rendition of the operatic story "Aida" (based on the opera composed by G. Verdi) as retold by opera diva Leontyne Price. Describes how this picture book is appropriate for introducing adolescent readers to opera. Describes specific activities for music classes, musical resources, specific art activities, and…

Describes how to introduce opera to students through the use of prompting strategies. Explains that these strategies encourage active participation by students and help to improve listening skills. Focuses on prompting strategies, such as matching characters to songs, identifying, and sequencing songs. (CMK)

Urges the use of marionettes and puppet theater to introduce opera to elementary school students. Demonstrates methods for immersing students in opera throughout the school year by designing sets, creating marionettes, painting backdrops, and discussing story and music. (LS)

"Create Your Own," month-long "Artist in Education" residencies sponsored by the Ohio Arts Council, are used to guide students and teachers through the process of taking the vision of an original opera conceived by students and turning it into a reality. A local opera company is actually created. "Create Your Own"…

A guide for teaching the essential musical elements of opera to undergraduate students is provided. The course centers around "The Marriage of Figaro" by Mozart. It is presented in four sections. In section I, students investigate type casting of opera singers in terms of the ranges of their voices. Students learn to differentiate coloratura,…

Provides specific suggestions to music teachers on preparing their students to view an opera broadcast on television, including use of other teachers or community personnel to provide background information. Approaches are outlined for introducing students to an opera's plot, music, design, costumes, makeup, lighting, and staging. (SJL)

Describes a summer school program in which secondary students collaborated to build an opera company. Details the activities of seven days in the first stage of the three-stage project. Concludes that the experience built democratic values. (CFR)

Describes a college level course in opera for nonmusic education students. Contends that students benefited from the enriching experience of the course. Includes a list of 10 operas recommended for an introductory course. (CFR)