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Showing 1 to 15 of 18 results Save | Export
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Yuan Li – Interactive Learning Environments, 2024
The aim of this paper is to determine both the influence of musical compositions' genres on the students' musical literacy formed using artificial intelligence technologies and the musical literacy skills among music and non-music major students. Accordingly, the method of analysis was used to identify the most common musical genres in the Chinese…
Descriptors: Music Education, Majors (Students), Nonmajors, Folk Culture
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Jenkins, Louise – Australian Journal of Music Education, 2014
Australia is currently responding to an international trend that encourages social inclusion and the provision of equal opportunity for all. In a climate that is encouraging and supporting social inclusion, it can be enriching to look back at Australia's history and consider the benefits that have been gained in a previous era when people were…
Descriptors: Foreign Countries, Females, Opera, Musical Composition
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Simpson, Patricia Anne – International Journal of Music Education, 2013
The myth of Orpheus is intricately implicated in the origin of song. For centuries, myth and music have cooperated in a variety of genres, foremost among them in opera. The myth, open to reinterpretation across linguistic, national, and temporal boundaries, served as a starting point for an extracurricular opera project in the metropolitan region…
Descriptors: Foreign Countries, Socioeconomic Influences, Immigrants, Ethnicity
Grayson, Craig M. – ProQuest LLC, 2012
The purpose of this dissertation is twofold-to investigate, in brief, the available guides to Russian lyric diction and to present my own comprehensive guide, which gives singers the tools to prepare the pronunciation of Russian vocal pieces independently. The survey examines four guides to Russian lyric diction found in popular anthologies or…
Descriptors: Music, Music Education, Annotated Bibliographies, Singing
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Pratt, Scott L. – Journal of Aesthetic Education, 2009
There is a long history of debate over what opera is. Since it's more or less formal beginning in the sixteenth century as a reconstruction of ancient drama, opera as an art form has been controversial. The received understanding--emphasized by the genre's founders and in periodic efforts at reforming the standards of composition and…
Descriptors: Drama, Opera, Music, Geometric Concepts
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Music Educators Journal, 1976
The list of operas contained in this article continues a series of selected works of American music--for chorus, for band, for orchestra, for the elementary school, and opera--prepared by the MENC Bicentennial Commission. (Editor/RK)
Descriptors: Music Activities, Music Education, Musical Composition, Opera
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Music Educators Journal, 1979
Composer Jack Beeson discusses the distinctively American themes and music of his operas and comments on opera composition in general, matters of style, and the televising of opera. This article is part of a theme issue on opera. (SJL)
Descriptors: Interviews, Musical Composition, Musicians, North American Culture
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Koppenhaver, Allen J. – Music Educators Journal, 1979
The composer of an opera for elementary students describes his composition and the process of taking it out to the schools of southern Ohio. This article is part of a theme issue on opera. (SJL)
Descriptors: Elementary Education, Music Education, Musical Composition, Nonschool Educational Programs
Menger, Pierre-Michel – Education and Culture, 1977
Discusses an economic and morphological analysis of the field of contemporary music creation in order to define the three major problems which face governments and local authorities which intervene to support a fairly large number of bodies concerned with the production and/or performance of music and which are unable to finance themselves.…
Descriptors: Concerts, Creativity, Financial Needs, Illustrations
Costas, Carlos Jose – Cuadernos Hispanoamericanos, 1974
Descriptors: Fine Arts, Music, Music Appreciation, Musical Composition
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La Valley, Josanne – Music Educators Journal, 1977
In 1975, under the auspices of the Manhattan School of Music, an opera for children project was initiated at Public School 75 in New York City. Its aim was to acquaint the public school's faculty, parents, and students with the technical and performance aspects of opera production. (Author)
Descriptors: Elementary Secondary Education, Illustrations, Music Education, Musical Composition
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Parrent, Amy – Music Educators Journal, 1980
The author describes the evolution of the American musical since 1750 and emphasizes the often overlooked importance of the orchestrator. She discusses the talents of several extraordinarily gifted musicians. (KC)
Descriptors: Biographies, Music Techniques, Musical Composition, Musical Instruments
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Galloway, Margaret C. – Journal of Creative Behavior, 1972
Describes an opera based on Peter Pan which was composed, produced, and performed entirely by children in grades one through six. (MB)
Descriptors: Elementary School Students, Laboratory Schools, Music Activities, Music Education
Herrold, Rebecca – 1971
A guide for teaching the essential musical elements of opera to undergraduate students is provided. The course centers around "The Marriage of Figaro" by Mozart. It is presented in four sections. In section I, students investigate type casting of opera singers in terms of the ranges of their voices. Students learn to differentiate coloratura,…
Descriptors: Educational Objectives, Higher Education, Learning Activities, Music Education
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Hower, Eileen – Music Educators Journal, 1999
Discusses the collaboration between an art and a music teacher whose seventh grade students wrote an opera based on the children's story "The Egyptian Cinderella." Addresses familiarizing students with composing music, student roles, and writing the compositions. Provides helpful hints and considers the benefits of this project. (CMK)
Descriptors: Art Education, Childrens Literature, Educational Benefits, Grade 7
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