Describes a two-week English project in which ninth graders read "La Boheme" in translation, studied it as a drama, listened to arias, and finally watched a videotaped performance of the opera. (JG)

This handbook has been built around the experiences of teachers and cognitive psychologists working together in opera education to identify, design, and produce an effective approach to bring together the divergent approaches to assessment and evaluation, mandated testing, and authentic documentation of learning. The handbook is designed to…

Describes the picture book rendition of the operatic story "Aida" (based on the opera composed by G. Verdi) as retold by opera diva Leontyne Price. Describes how this picture book is appropriate for introducing adolescent readers to opera. Describes specific activities for music classes, musical resources, specific art activities, and…

In San Rafael (California) a series of assembly programs and art shows exposes students to cultural events. (JM)

Describes how to introduce opera to students through the use of prompting strategies. Explains that these strategies encourage active participation by students and help to improve listening skills. Focuses on prompting strategies, such as matching characters to songs, identifying, and sequencing songs. (CMK)

Describes a summer school program in which secondary students collaborated to build an opera company. Details the activities of seven days in the first stage of the three-stage project. Concludes that the experience built democratic values. (CFR)

Artist-teachers, administrators, and other educators will find the elementary and secondary guidelines useful in formulating the objectives and methods of teaching the performing arts. The underlying assumption is that providing children with opportunities to observe, listen, and react to exciting performances leads to educational experiences,…

This secondary level Quinmester course is designed to teach the principal types of vocal, instrumental, and operatic compositions of the Romantic period through listening to the styles of different composers and acquiring recognition of their works. The course is intended for students who have participated in fine or performing arts and for pupils…

This paper discusses how to use opera in secondary and college courses to illustrate and clarify historical developments. For example, opera can be used in social history courses to help students understand changing social attitudes toward the child in the 19th and 20th centuries. Students are first required to read a basic work on the history of…

This 9-week, Quinmester course of study is designed to teach the principal types of vocal, instrumental, and operatic compositions of the classical period through listening to the styles of different composers and acquiring recognition of their works, as well as through developing fastidious listening habits. The course is intended for those…

Argues that comprehensive arts education includes multiple art forms learning, skills development, critical analysis, historic context, and expression opportunities. Its future may be in partnerships between arts educators and arts institutions. Examines past and current partnership successes and concludes that partnerships can ensure future…

This report traces the evolution of the Sullivan Country Festival of the Arts and changes in the curriculum and social life of the schools of Sullivan County. It summarizes the experiences and conclusions of a three-year period of activity in a pilot-demonstration project of the Division of the Humanities and Arts of the New York State Education…

Describes a school districtwide program in which secondary students produced operas as part of the regular and extracurricular curricula. Details events dating from 1985 illustrating the growth and development of the program. Contends that the program was an intellectually rewarding experience and an excellent public relations activity for the…

An in-depth examination of symphony orchestra youth concerts in 20 American cities was conducted under the auspices of the American University, Washington, D.C., and with the cooperation of the American Symphony Orchestra League, to determine the role of youth concerts in cultural education. Field teams, each consisting of a music education…

This report on symphony orchestra concerts for students in 20 American cities provides information on (1) the history and development of youth concerts, and the artistic, cultural, and educational philosophies upon which they are based; (2) operating procedures and financing for youth concerts in each city; (3) utilization of the concerts by…