Describes the picture book rendition of the operatic story "Aida" (based on the opera composed by G. Verdi) as retold by opera diva Leontyne Price. Describes how this picture book is appropriate for introducing adolescent readers to opera. Describes specific activities for music classes, musical resources, specific art activities, and…

The effect of lecture-demonstrations and workshops on changing elementary school children's attitudes toward drama (acting), music, dance and opera is the focus of this experimental report. Three self-report interest scales and a peer interest rating were administered in a pretest post-test format. The results indicated only slight attitude change…

A model performing arts program (The Arts from the Inside Out) for gifted and talented elementary students at the Robert Blair Pollock Elementary School in Philadelphia (PA), provides children with first-hand backstage experience with opera, music, dance, drama, filmmaking, and architecture. (CL)

Describes (in the form of an opera libretto in five acts) the experience of creating an opera in a first-grade bilingual classroom. Shows that literacy is not reading and writing, opera is not inaccessible, and art is not a frill. Finds that children made flexible use of sign systems and achieved some degree of bilingualism. (SR)

This article discusses how a social studies teacher taught her middle school students about the components of an opera and prepared her students for putting on an opera. The development of the opera and how the opera training related to the social studies, language arts, and music curriculum are addressed. (Contains 1 reference.) (CR)

This article describes a program of the Lyric Opera Company of Chicago (Illinois) that brought opera to the classroom of students with deafness in grades three through six. The four-session program explored vocabulary, music, story-telling, and Japanese culture and culminated in a student production of "Madame Butterfly." (JDD)

Describes an innovative college history course which studied various operas and their librettos as representative of political and social history. (AV)

This article took us to the elementary school level for a description of a highly successful program that developed opera lovers among the children in the Tucson, Arizona schools. (Editor/RK)

In San Rafael (California) a series of assembly programs and art shows exposes students to cultural events. (JM)

This first of a two-part series on resources in major university music libraries contains "Rare Resources in the Yale Music Library" (Harold E. Samuel) and "The Music Library, University of California, Berkeley" (John H. Roberts). Topics discussed include special collections, rare books and manuscripts, music archives, and…

Summarizes the author's dissertation following a group of bilingual first graders as they created an opera with their teacher and an artist-in-residence. Summarizes the opera process using the libretto format. Discusses the setting, perspectives of all of the collaborators, what was learned, and the educational implications. (SR)

Eleventh grade English class "special students" with a fourth or fifth grade level of reading ability are won over by an enterprising teacher reading stories by Boccaccio, Chaucer and Shakespeare and introducing them to opera. The so called difficult kids often have more aptitude and talent than given credit for by shortsighted teachers and…

The controlling strategies of neo-liberalism, designed to constitute academics as economic units supporting the designs of government, are contrasted here with the creative and transgressive elements of a more Deleuzian approach to writing that opens things up, that brings thought to life, that makes the familiar, predictable order tremble. The…

It has previously been shown that an opera can successfully be integrated into a high school or college language class. It is suggested that an entire semester could be devoted to just French operas and French art, using corresponding literary texts for comparative purposes. Grammar points are included as needed; conversation about the stories…

Describes an opera based on Peter Pan which was composed, produced, and performed entirely by children in grades one through six. (MB)