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Camangian, Patrick – English Teaching: Practice and Critique, 2008
Despite high levels of disengagement in urban literacy classrooms, few teachers have seen fit to explore spoken word--the performance of poetry--as a tool to engage students in literacy. Spoken word poetry serves as a powerful means of self-representation for youth that are traditionally portrayed as threatening, menaces to society that do not…
Descriptors: Social Justice, Social Control, Poetry, Urban Schools
PELTZIE, BERNARD E. – 1966
IN THE SHORT STORY WHERE NEITHER CHARACTER, SETTING, NOR PLOT IS DEVELOPED SUFFICIENTLY TO ALLOW A THOROUGH INTERPRETATION OF THE STORY, THE STRUCTURE OR SHAPE OF THE STORY COULD BE USED AS THE TRANSMITTER OF MEANING. THIS APPROACH, WHICH DEPENDS ON INTELLIGENT SENSITIVITY, CONSISTS OF ESTABLISHING THE STRUCTURAL PARTS OF THE STORY, JUSTIFYING…
Descriptors: Critical Reading, Interpretive Reading, Oral Interpretation, Questioning Techniques
Gehring, John – Education Week, 2005
Slam poetry was born in the Green Mill Tavern, a one-time Chicago speakeasy where Al Capone imbibed, when a construction worker and poet named Marc Smith revolutionized poetry readings with an Uptown Poetry Slam in 1986. Slam borrows heavily from the rhythms and wordplay of rap and hip-hop, as well as the stream of consciousness and metaphysical…
Descriptors: Poets, Poetry, Competition, Popular Culture
California State Dept. of Education, Sacramento. – 1987
The language arts component of the California State "Model Curriculum Guides" series, this document sets guidelines for the elementary and middle school English language arts curriculum. The guide suggests a learning sequence--core, integrated, and across the curriculum--and delineates concepts, skills, and activities appropriate for…
Descriptors: Assignments, Class Activities, Communication Skills, Critical Thinking