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Adams, Jeff – International Journal of Art & Design Education, 2019
At a time of endemic xenophobia some artists have attempted to resist this trend by depicting its damaging consequences, revealing the inequalities that fuel its disfigurement of human relations and result in mass human displacement. Paul Dash's recent paintings of refugees attempting dangerous and degrading sea crossings are the main subject of…
Descriptors: Art Products, Painting (Visual Arts), Student Experience, Artists
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Shields, Alison Lea – International Journal of Art & Design Education, 2019
This article examines the role of spending time with others in and through artistic research and practice. I draw from my doctoral work which took me on a cross-Canada journey visiting 125 artists in their studios. Following the studio visits, I made a series of paintings of artists' studios, however a year later these same paintings were cut up…
Descriptors: Artists, Art Activities, Art Products, Painting (Visual Arts)
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Noble, Kate – International Journal of Art & Design Education, 2021
At a time of widespread concern over the decline of art teaching in schools, this article considers the findings of a practitioner led action research project exploring the potential of art museum and artist-led CPD (Continued Professional Development) programmes to develop primary teacher knowledge, skills and confidence teaching in art and…
Descriptors: Museums, Arts Centers, Communities of Practice, Art Education
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Marinkovic, Branka – International Journal of Art & Design Education, 2021
This article discusses research that employed practice-led and action research methods to study the tacit knowledge of painting practice and its application to teaching. Polanyi's theory of tacit knowledge is used to analyse the non-verbal, experience-based knowledge of painting to construct a discursive relationship between the dual practices of…
Descriptors: Action Research, Art Education, Painting (Visual Arts), Instruction
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Sui, Gang – International Journal of Art & Design Education, 2019
The artistic practices of ekphrasis and reverse ekphrasis -- integrating poetry and painting in their unique forms -- have been long-standing conventions both in the East and in the West. This article attempts to rationalise the new functions of the age-old concept of reverse ekphrasis (i.e. graphic representation of verbal representation) as…
Descriptors: Painting (Visual Arts), Poetry, Art Education, Workshops
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Cutcher, Alexandra; Boyd, Wendy – International Journal of Art & Design Education, 2018
This article describes a small, collaborative, arts-based research project conducted in two rural early childhood centres in regional Australia, where the children made large-scale collaborative paintings in partnership with teachers and researchers. Observation of young children's artistic practices, in order to inform the development of…
Descriptors: Preschool Children, Painting (Visual Arts), Rural Areas, Child Care Centers
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Kantawala, Ami; Daichendt, G. James – International Journal of Art & Design Education, 2017
Drawing books can be seen as a vital component to teaching and learning art. They serve as an excellent resource for understanding the historical context of teaching drawing. As the industrial revolution geared forward in the nineteenth century, drawing books became a crucial source for sharing and disseminating educational philosophies for the…
Descriptors: Foreign Countries, Authors, Nineteenth Century Literature, Picture Books
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Frois, Joao Pedro; White, Boyd – International Journal of Art & Design Education, 2013
In this article we introduce a research strategy that involves the making of visual maps by individuals in response to their interactions with artworks. The maps record the meaning-making processes involved in the encounters and provide us with permanent records of otherwise ephemeral experiences. The case study presented here provides data for…
Descriptors: Aesthetics, Comprehension, Workshops, Visual Aids
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Chittenden, Tara – International Journal of Art & Design Education, 2013
Whilst a part of the fine art degree course is about teaching technical skills and learning from tutor/peer group crits, a larger part is about the facilitation of a "safe" and structured space in which students gain the confidence to experiment with personal ideas, to hone a self-critical reflection and understand who they are as individuals,…
Descriptors: Self Concept, Personal Narratives, Reflection, Fine Arts
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Jarvis, Michael – International Journal of Art & Design Education, 2011
This article considers how primary teachers can learn from the practice of artists in their own teaching of art. Fundamental to artistic practice is the notion of practising with various materials and tools. In the article I look at some children's images, as well as scrutinising some statements made by the painter Francis Bacon. The practices of…
Descriptors: Artists, Elementary School Teachers, Art Education, Childrens Art
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Shanahan, Maureen G. – International Journal of Art & Design Education, 2010
Malaika Favorite's "Furious Flower Poetry Quilt" (2004) is an acrylic painting that depicts 24 portraits of leading poets of the African Diaspora. Commissioned by Dr Joanne Gabbin, English professor and director of the Furious Flower Poetry Center at James Madison University, the painting is part of a larger programme of poetry…
Descriptors: United States History, Poets, African American History, Slavery
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Tarar, Nadeem Omar – International Journal of Art & Design Education, 2008
With the formation of Pakistan as a modern Islamic republic in 1947, the institutions of art and design education were transformed under the sway of modernization theories of development. A conceptual and physical infrastructure was put in place to modify existing institutions and to create new ones for encouraging modern art and artists in the…
Descriptors: Art Education, Higher Education, Educational Change, Handicrafts
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Hubard, Olga M. – International Journal of Art & Design Education, 2006
This article explores the way young people's responses to an image evolve when they engage with it repeatedly. An analysis of the sequential encounters of six adolescents with a Renaissance painting reveals that, as they gained experience with the picture, the youngsters probed for increasingly deeper layers of meaning in the work. Specifically,…
Descriptors: Adolescents, Art Education, Art Products, Art Criticism