The aim of this study is to analyze the effect of Traditional Game Education Program (TGEP) on language development of pre-school children. Dependent and independent variables were determined as the children's language development scores and "traditional game education program", respectively. The study group was determined with…

Pantomime as a tool for learning is discussed. (DB)

Suggests using creative dramatics activities to foster students' skill in sensing, sequencing, expressing, and cooperating. Outlines five creative dramatics exercises suitable for a science, mathematics, art, or English class. (SJL)

Describes mime program at a high school. (CH)

Records discussion of panel of senior movement educators from a 1998 Association for Theatre in Higher Education conference. Explains the differing backgrounds of the panelists in mind/body techniques; historical styles of movement; stage combat training; and mime. Includes discussions of the meaning of movement for actors; techniques of teaching…

Highlights four items from the ERIC database in which teacher/directors describe high school theater and classroom productions of Masters'"Spoon River Anthology," Shakespeare, three Black theater dramatizations, and mime. Each offers creative suggestions for imitation. (JMF)

Described are uses of creative dramatics with handicapped and non-handicapped children and adults. Creative dramatics is seen to involve acting out situations without formal or strict guidelines, with focus on expression of one's feelings and working cooperatively with others. Activities and leadership hints are listed for warm-up games and…

Gives instructions for a theater exercise that involves a student lip-synching to a song. Cautions that the presentation must be balanced equally, with attention paid to both realism in the actual lip-synching, and to how the performer gives meaning to the song. States that students generally should not try to emulate well-known performers. (PA)

Creative dramatics offer the educator a variety of uses in the development of children's language arts proficiency and psychomotor skill level. (LH)

Presents a rationale for viewing theatre as a form of education, and looks at several different ideas for why and how drama should be taught; considers what types of skills children should acquire from a theatre class, and whether drama should focus on the internal, subjective experience of theatre, or the external mechanics of it. (JC)

Article focuses on practical suggestions for achieving success with choral speaking, pantomime (creative dramatics), three poetic forms and storytelling for both primary and intermediate grades. (Author)

Encouraging children to develop their imagination through using poetic imagery and pantomime widens and enriches their view of the world. (JD)