Intended to help students improve their written work by their active involvement and by their interest in investing the time and energy necessary to create a finished product of quality, this booklet presents a structured process that teaches children to progress from a draft to a "published" stage, through individual editing, peer…

"Developing and Assessing an Online Research Writing Course" discusses how the Writing Program at the University of California at Santa Barbara (UCSB) created a hybrid, online research writing course, Writing 50, and assessed that course. The assessment, which is at the center of this piece, was dovetailed with assessment literature in…

Advantages of peer evaluation of writing are outlined, questions that arise once instructors decide to use this method are presented, and steps to develop students' awareness of what to look for and what to say about the writing of peers in English composition and other disciplines are discussed. (MBR)

Describes methods especially suited for large classes of nontraditional students in community college creative writing courses. Suggests that by commenting upon and grading students' written peer responses, the instructor can enlist the class to become a peer audience that thoughtfully writes criticism and comments on each others' work each week.…

Research suggests that students make judgments about writing at a very early age, but their interpretations of what makes writing good or bad differs in important ways from those of teachers or professional writers. An understanding of how children's evaluative criteria develop is critical to teachers in helping children become better writers.…

Intended to help teachers understand the complexities of the writing process, this pamphlet offers a model for writing conceptualized in three phases: stimulus, process, and product. The process phase is then examined from the perspectives of: consciousness, speed and elaboration, and mental/physical interaction. The following implications for…

Describes the author's experience of taking two creative writing courses. Stresses the values that are taught: self-investment; avoidance of premature closure; seeing revision as discovery; experimentation; and trusting your own creative power--all necessary for good writing, whether academic or creative. (RAE)

Consisting of material designed for practical application in the English classroom and representing all educational levels, this collection of articles contains a selection of the best presentations given at the fall 1986 meeting of the Southeastern Ohio Council of Teachers of English. Following an introduction by guest editor James L. Creighton,…