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Huang, Yi-hui – Journal of Aesthetic Education, 2012
The digital sublime refers to digital-composite photography that presents "the existence of something unpresentable" and that renders a matchless look a sophisticated fabrication, a perfect and clean composition, a maximum color saturation, a multiple-point perspective, and stunning or newfangled content. Abandoning the traditional one-shot mode…
Descriptors: Philosophy, Photography, Visual Aids, Art Products
Torikian, Garen J. – Journal of Aesthetic Education, 2010
This essay examines the aesthetic and social origins of a postmodern phenomenon labeled hyperreality, and the development and role of art, in order to recognize the division between these two incompatible illusions. Whereas hyperreality limits a person's engagement to reality, art strengthens that unity. To establish the distinction between the…
Descriptors: Aesthetics, Postmodernism, Philosophy, Art
Cunliffe, Leslie – Journal of Aesthetic Education, 2001
Ludwig Wittgenstein's thought embraces two complementary projects: what he called his therapeutic work which was aimed at treating philosophical questions as though they were an illness, and his reconstructive work which emerges from this therapeutic endeavor. Wittgenstein describes his therapeutic work as an exercise that involves destroying…
Descriptors: Art Education, Aesthetics, Visual Arts, Art Therapy