Offers advice from a playwright on how to use a play's stage directions. States that stage directions (1) are one playwriting technique for eliminating unnecessary words, (2) are strong suggestions from the playwright, and (3) often reveal character traits. Discusses script analysis. (PA)

Surveys 145 practicing playwrights to examine how secondary school students can be taught the processes of playwriting in a program of dramatic studies. Proposes a model playwriting component for secondary school drama courses. (MM)

Intended for teachers who have no particular experience or training in teaching theater, but who have a love of theater and enjoy a good play, this book discusses making theater with children. It explores improvisation, reading and acting with scripts, adapting plays for young actors, and writing plays. The examples presented in the text are…

Examines the idea of developing a play through a group effort. Draws on personal experiences of seeing this kind of work since the 1970s. Details techniques that have been used with various groups in a series of drama workshops over the years. (PA)

Discusses one fourth-grade student's attempt to write a bilingual script, based upon a story told to her by her father, within the context of a bilingual playwriting project. Concludes that bilingualism needs to be seen as part of quality education for all students, not as compensatory education only for language minority students. (SG)

Each year, fifth graders at Kamehameha Elementary School produce a play about American history. Students do research, write scripts and songs, design costumes and the stage sets, act, and promote the event. The article explains how the students accomplished this over several months and notes how the activity tied into their schoolwork. (SM)

This book begins by pointing out that although much has been written on how the drama elements of the English curriculum might be taught in schools, not much guidance is available for teachers who regard drama not as an adjunct of English but as an arts subject in its own right. The book (a collection of articles by drama experts) shows how the…

Discusses the different requirements of teaching drama students and directing professionals. Outlines a range of dramaturgical action between working to support the artistic interests of an established playwright and instructing a novice playwright in basic approaches. Examines how thinking in terms of a spectrum from neophyte to veteran guides…

This article describes a multi-part approach to Shakespeare's playwriting, including his conception of comedy, his method of characterization, aspects of staging, and the status of male and females. It can accommodate all types of Shakespearean plays. "A Midsummer Night's Dream" is treated as seminal, while other plays are also…

An argument can be made for an expansion in the creative writing curriculum to cover all genres. The essential principles of writing in all genres, poetry, fiction, drama, TV, and film can be taught, with the positive effect of saving a serious writing student years of stumbling in the dark. A responsible creative writing course of the present and…

This book discusses activities in dramatic arts for students with disabilities in a variety of settings, as well as guidelines for mainstreaming such students into regular theater activities. An introductory chapter describes the program for individuals with disabilities offered by the Bethesda (Maryland) Academy of Performing Arts. Chapter 1…