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Showing 1 to 15 of 23 results Save | Export
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Cantrell, Tom – Research in Drama Education, 2023
This article analyses approaches to listening when creating theatre using the words of real people via a recent tribunal play by Richard Norton-Taylor and Nicolas Kent, "Value Engineering: Scenes from the Grenfell Inquiry" (2021). The article considers the play in relation to transitional justice practices to reveal how listening…
Descriptors: Drama, Listening, Foreign Countries, Justice
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Laurie Johnson – English in Australia, 2022
There is a persistent view that reading Shakespeare's writings is automatically 'good' for student learning, and its persistence can be traced back to the beginnings of the modern education system as a tool of British imperialism. This article argues that his plays challenge audiences and readers in ways that can represent barriers to learning. In…
Descriptors: Foreign Countries, Drama, Instructional Innovation, Student Motivation
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Alves, Pedro; Pereira, Ana Sofia – Film Education Journal, 2020
Cinema's pedagogical essence nurtures a variety of educational strategies. Beyond serving as a support to other areas of knowledge or as the subject of artistic analysis, it also provides students with a means to give -- freely and significantly -- voice to their own concerns and interests. Short film production in schools can offer a process for…
Descriptors: Film Study, Film Production, Teaching Methods, Educational Objectives
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Conroy, Colette; Dickenson, Sarah Jane; Mazzoni, Giuliana – Research in Drama Education, 2018
This is an attempt to articulate and explore the relationship between the science of memory and the applied theatre project, "The Not Knowns." The project was a collaboration between theatre practitioners and a psychologist who worked together with a group of young people known, problematically, as the "not knowns" throughout…
Descriptors: Memory, Theater Arts, Foreign Countries, Playwriting
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Gray, Julia – Research in Drama Education, 2019
Through this paper, I consider how we might be aesthetically and relationally accountable in creating research-informed theatre through the conceptual frame of an aesthetic of relationality, and in-depth considerations of the theoretical notions embodiment, imagination and foolishness (as vulnerability-bravery). Through the example of…
Descriptors: Theater Arts, Dementia, Aesthetics, Imagination
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Hutchison, Yvette; Ranford, Steve – Research in Drama Education, 2019
This article compares and analyses factors that impact when creating a network on both online and live networking platforms, designed as spaces for artistic and critical engagement both within Africa and beyond. As I draw on the African Womens' Playwright Network as my example, I consider how we can acknowledge the materiality of the processes and…
Descriptors: Females, Comparative Analysis, Networks, Drama
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Mizusawa, Ken – Teaching Artist Journal, 2019
In this article, I outline and theorize about a series of three lessons on playwriting I conducted in a secondary English Literature classroom in Singapore using drama improvisation strategies that I name drama-based playwriting, or DBP. I advance the argument that this genre of creative writing is best taught through the medium of drama so as to…
Descriptors: Playwriting, English Literature, Secondary Education, Drama
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Miller, Hillary – Research in Drama Education, 2019
The theatre classroom is necessarily a space in dialogue with myths about the marginalisation of theatre as an art and theatre audiences as a public. It is precisely "because" theatre is a marginalised discipline that curricula should incorporate the processes by which the labour of theatre artists changes value and joins the mainstream;…
Descriptors: Theater Arts, Teaching Methods, Audiences, Artists
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Al Sharadgeh, Samer Ziyad – English Language Teaching, 2018
Edgar manages to invert the subordinate function of generally accepted objective indicators of membership of a particular national group--language, religion, common history, and territory--into the essential mode of imperative distinction shaping the unique national identity. In other words, it is the fresco and the value assigned to it that…
Descriptors: Refugees, Religious Factors, Playwriting, Documentaries
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Post, Ben – Hispania, 2016
Eighteenth-century actor and playwright Eusebio Vela, long thought to be born in Mexico but actually born in Spain, dominated Mexico City's Coliseo theater for decades and has been variously interpreted as a creole patriot or as a Spanish propagandist. Vela's four extant plays, which treat the fall of Spain, Telemachus's wanderings in the…
Descriptors: Eighteenth Century Literature, Drama, Playwriting, Foreign Countries
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Tsai, Shang-Te; Chang, Ting-Cheng; Huang, Yu-Feng – EURASIA Journal of Mathematics, Science & Technology Education, 2016
Producing an animation requires extensive labor, time, and money. Experienced directors and screenwriters are required to design scenes using standard props and actors in position. This study structurally analyzes the script and defines scenes, characters, positions, dialogue, etc., according to their dramatic attributes. These are entered into a…
Descriptors: Animation, Scripts, Film Production, Drama
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Watson, Vaughn W. M.; Knight-Manuel, Michelle G. – Teachers College Record, 2020
Background / Context: This conceptual essay contributes to recent education research on immigrant youth from West African countries that examines the interplay of popularized narratives of immigrant youth and young adults, and their Diasporic literacy practices. Specifically, we examine embodied Diaspora literacies as affirming and extending…
Descriptors: Foreign Countries, Immigrants, Youth, Young Adults
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Thom, Jennifer S.; Blades, David – Educational Studies: Journal of the American Educational Studies Association, 2014
In response to a mandate to develop a more welcoming university for students, especially those of Aboriginal inheritance, we set out on a journey for ways of accommodating cultural differences in our university classrooms. Over the course of a year, we met regularly and audiotaped our conversations. By talking, transcribing, writing, and…
Descriptors: Foreign Countries, Indigenous Populations, Cultural Awareness, Cultural Differences
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Ellis, David; Murtha, Megan – Journal of Basic Writing, 2014
Many first-year students struggle with the transition from high school writing to college writing as higher-order demands are made and new discipline-specific genres are added. Previous writing training can provide a "mental set effect," old habits of mind, which inhibits growth. Additionally, students receive writing training in courses…
Descriptors: College Freshmen, Writing (Composition), Writing Instruction, Playwriting
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Jick, Henry Kah; Nkweteyim, Temeching Patricia – Journal of Education and Practice, 2016
This study has attempted to revisit gender issues presented in the New Literatures of Africa in English to investigate whether there is, indeed, an alternative vision of these issues. In spite of the great contributions of female writers in this literature, it has continued to be a male-dominated terrain. It is from this perspective that we…
Descriptors: Theory Practice Relationship, Foreign Countries, Gender Issues, Blacks
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